The Only Music Publishing Video You'll Ever Need ft. Jacob Paul (Kobalt/KOSIGN) #282

Music publishing is the money most independent artists never collect, and nothing in the system tells you it's missing. Jacob Paul of Kobalt / KOSIGN explains how songwriters actually get paid: the two copyrights in every song, the three royalties, why a PRO alone leaves half your money on the table, the $1 billion black box, and what to do this week if you've never registered a song. Apply to KOSIGN: https://form.typeform.com/to/B2K0IOEu Io Audio Technologies: https://ioaudiotech.com Everything OMT: Website: https://onemoretime.fm/yt Instagram:   / onemoretime.fm   TikTok:   / onemoretime.fm   The Blue Room:   / discord   Apply to be on the show: https://onemoretime.fm/guest Work with us: https://onemoretime.fm/work-with-us Business inquiries: team@onemoretime.fm 30% off DistroKid: https://omtdistro.com Merch: https://onemoretime.fm/shop Chapters: 0:00 Intro 0:45 What music publishing actually is 3:23 The two copyrights: the master and the song 5:03 You do not get paid publishing by default 7:20 The $1 billion black box 11:08 Three royalties: performance, mechanical, sync 14:20 Co-pub deals vs admin deals 19:17 Sponsor: KOSIGN 20:57 Rates, advances and life of copyright 25:03 The KOSIGN admin deal, and is ASCAP enough? 31:37 Writer's share vs publisher's share 33:15 How much more is publishing worth? 20 to 40% 36:17 Can you buy a house on a hit? 37:56 Registering late: the 18 to 36 month window 40:32 Sponsor: Io Audio Technologies 41:51 Registrations, IPI, ISWC and disputes 43:22 Split sheets and the Lennon-McCartney rule 46:49 What is broken about publishing 53:19 Where the billion should go, and the two things to do 55:39 AI and songwriting credit 1:00:48 Who deserves publishing on a song 1:04:42 Sponsor: DistroKid 1:06:27 Paying collaborators in publishing 1:10:19 The most common question: I'll wait for the big deal 1:14:56 Rapid Fire Rampage ft. Jacob Paul