𝐵𝑎𝑟𝑛𝑎𝑏𝑎𝑠 𝑑𝑒 𝐺𝑒́𝑐𝑧𝑦 𝑒𝑡 𝑠𝑜𝑛 𝑂𝑟𝑐ℎ𝑒𝑠𝑡𝑟𝑒 – 𝐵𝑙𝑢𝑒 𝑆𝑘𝑖𝑒𝑠 – 𝐶𝑎𝑟𝑎 𝐵 – 78 𝑅𝑃𝑀 – 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 - 1938

𝐵𝑎𝑟𝑛𝑎𝑏𝑎𝑠 𝑑𝑒 𝐺𝑒́𝑐𝑧𝑦 𝑒𝑡 𝑠𝑜𝑛 𝑂𝑟𝑐ℎ𝑒𝑠𝑡𝑟𝑒 𝐵-𝐵𝑙𝑢𝑒 𝑆𝑘𝑖𝑒𝑠 (𝑇𝑎𝑛𝑔𝑜) 𝑇𝑒𝑚𝑎 𝑐𝑜𝑚𝑝𝑢𝑒𝑠𝑡𝑜 𝑝𝑜𝑟 𝐽𝑜𝑠𝑒𝑓 𝑅𝑖𝑥𝑛𝑒𝑟 𝐷𝑖𝑠𝑞𝑢𝑒 "𝐺𝑟𝑎𝑚𝑜𝑝ℎ𝑜𝑛𝑒" – 𝐾-8003 (𝑂𝑅𝐴. 1347) 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 1938 🧩 𝐸𝐿 𝑅𝐸𝑌 𝐷𝐸𝐿 𝑇𝐴𝑁𝐺𝑂 𝐸𝑁 𝐿𝑂𝑆 𝑆𝐴𝐿𝑂𝑁𝐸𝑆 𝐷𝐸 𝐵𝐸𝑅𝐿𝐼́𝑁 𝑌 𝑃𝐴𝑅𝐼́𝑆 𝐿𝑎 𝐶𝑎𝑟𝑎 𝐵 𝑑𝑒 𝑒𝑠𝑡𝑒 𝑑𝑖𝑠𝑐𝑜 𝑑𝑒 10 𝑝𝑢𝑙𝑔𝑎𝑑𝑎𝑠 𝑛𝑜𝑠 𝑒𝑛𝑡𝑟𝑒𝑔𝑎 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑐𝑜𝑚𝑝𝑜𝑠𝑖𝑐𝑖𝑜𝑛𝑒𝑠 𝑚𝑎́𝑠 𝑐𝑒́𝑙𝑒𝑏𝑟𝑒𝑠 𝑑𝑒 𝑙𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑙𝑖𝑔𝑒𝑟𝑎 𝑒𝑢𝑟𝑜𝑝𝑒𝑎: 𝑒𝑙 𝑡𝑎𝑛𝑔𝑜 "𝐵𝑙𝑢𝑒 𝑆𝑘𝑖𝑒𝑠", 𝑐𝑜𝑚𝑝𝑢𝑒𝑠𝑡𝑜 𝑝𝑜𝑟 𝑒𝑙 𝑚𝑎𝑒𝑠𝑡𝑟𝑜 𝑎𝑙𝑒𝑚𝑎́𝑛 𝐽𝑜𝑠𝑒𝑓 𝑅𝑖𝑥𝑛𝑒𝑟 (𝑒𝑠 𝑖𝑚𝑝𝑜𝑟𝑡𝑎𝑛𝑡𝑒 𝑛𝑜 𝑐𝑜𝑛𝑓𝑢𝑛𝑑𝑖𝑟𝑙𝑜 𝑐𝑜𝑛 𝑒𝑙 𝑓𝑎𝑚𝑜𝑠𝑜 𝑒𝑠𝑡𝑎́𝑛𝑑𝑎𝑟 𝑑𝑒 𝑗𝑎𝑧𝑧 𝑑𝑒𝑙 𝑚𝑖𝑠𝑚𝑜 𝑛𝑜𝑚𝑏𝑟𝑒 𝑒𝑠𝑐𝑟𝑖𝑡𝑜 𝑝𝑜𝑟 𝐼𝑟𝑣𝑖𝑛𝑔 𝐵𝑒𝑟𝑙𝑖𝑛). 𝑅𝑖𝑥𝑛𝑒𝑟 𝑓𝑢𝑒 𝑢𝑛 𝑡𝑖𝑡𝑎́𝑛 𝑑𝑒 𝑙𝑎 𝑐𝑜𝑚𝑝𝑜𝑠𝑖𝑐𝑖𝑜́𝑛 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎𝑙 𝑝𝑜𝑝𝑢𝑙𝑎𝑟 𝑑𝑒 𝑙𝑜𝑠 𝑎𝑛̃𝑜𝑠 30 𝑦 40, 𝑐𝑎𝑝𝑎𝑧 𝑑𝑒 𝑓𝑎𝑐𝑡𝑢𝑟𝑎𝑟 𝑚𝑒𝑙𝑜𝑑𝑖́𝑎𝑠 𝑝𝑒𝑔𝑎𝑑𝑖𝑧𝑎𝑠, 𝑠𝑜𝑓𝑖𝑠𝑡𝑖𝑐𝑎𝑑𝑎𝑠 𝑦 𝑟𝑖́𝑡𝑚𝑖𝑐𝑎𝑚𝑒𝑛𝑡𝑒 𝑝𝑒𝑟𝑓𝑒𝑐𝑡𝑎𝑠 𝑝𝑎𝑟𝑎 𝑒𝑙 𝑏𝑎𝑖𝑙𝑒 𝑑𝑒 𝑠𝑎𝑙𝑜́𝑛. 𝑃𝑎𝑟𝑎 ℎ𝑎𝑐𝑒𝑟𝑙𝑒 𝑡𝑜𝑡𝑎𝑙 𝑗𝑢𝑠𝑡𝑖𝑐𝑖𝑎 𝑎 𝑒𝑠𝑡𝑎 𝑏𝑟𝑖𝑙𝑙𝑎𝑛𝑡𝑒 𝑝𝑎𝑟𝑡𝑖𝑡𝑢𝑟𝑎, 𝑙𝑎 𝑔𝑟𝑎𝑏𝑎𝑐𝑖𝑜́𝑛 𝑐𝑜𝑟𝑟𝑖𝑜́ 𝑎 𝑐𝑎𝑟𝑔𝑜 𝑑𝑒𝑙 𝑙𝑒𝑔𝑒𝑛𝑑𝑎𝑟𝑖𝑜 𝑣𝑖𝑜𝑙𝑖𝑛𝑖𝑠𝑡𝑎 𝑦 𝑑𝑖𝑟𝑒𝑐𝑡𝑜𝑟 ℎ𝑢́𝑛𝑔𝑎𝑟𝑜 𝐵𝑎𝑟𝑛𝑎𝑏𝑎𝑠 𝑑𝑒 𝐺𝑒́𝑐𝑧𝑦. 𝑇𝑟𝑎𝑠 𝑒𝑠𝑡𝑢𝑑𝑖𝑎𝑟 𝑒𝑛 𝑙𝑎 𝑝𝑟𝑒𝑠𝑡𝑖𝑔𝑖𝑜𝑠𝑎 𝐴𝑐𝑎𝑑𝑒𝑚𝑖𝑎 𝑑𝑒 𝑀𝑢́𝑠𝑖𝑐𝑎 𝑑𝑒 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡, 𝑑𝑒 𝐺𝑒́𝑐𝑧𝑦 𝑠𝑒 𝑐𝑜𝑛𝑣𝑖𝑟𝑡𝑖𝑜́ 𝑒𝑛 𝑢𝑛𝑎 𝑎𝑢𝑡𝑒́𝑛𝑡𝑖𝑐𝑎 𝑠𝑢𝑝𝑒𝑟𝑒𝑠𝑡𝑟𝑒𝑙𝑙𝑎 𝑖𝑛𝑡𝑒𝑟𝑛𝑎𝑐𝑖𝑜𝑛𝑎𝑙, 𝑖𝑛𝑠𝑡𝑎𝑙𝑎𝑛𝑑𝑜 𝑎 𝑠𝑢 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎 𝑐𝑜𝑚𝑜 𝑙𝑎 𝑎𝑔𝑟𝑢𝑝𝑎𝑐𝑖𝑜́𝑛 𝑟𝑒𝑠𝑖𝑑𝑒𝑛𝑡𝑒 𝑑𝑒𝑙 𝑙𝑢𝑗𝑜𝑠𝑜 𝐻𝑜𝑡𝑒𝑙 𝐸𝑠𝑝𝑙𝑎𝑛𝑎𝑑𝑒 𝑑𝑒 𝐵𝑒𝑟𝑙𝑖́𝑛 𝑦 𝑟𝑒𝑎𝑙𝑖𝑧𝑎𝑛𝑑𝑜 𝑔𝑖𝑟𝑎𝑠 𝑐𝑜𝑛𝑠𝑡𝑎𝑛𝑡𝑒𝑠 𝑝𝑜𝑟 𝑃𝑎𝑟𝑖́𝑠 𝑦 𝐿𝑜𝑛𝑑𝑟𝑒𝑠. 𝐿𝑎 𝑡𝑒́𝑐𝑛𝑖𝑐𝑎 𝑑𝑒 𝑠𝑢 𝑣𝑖𝑜𝑙𝑖́𝑛 (𝑒𝑙 𝑓𝑎𝑚𝑜𝑠𝑜 𝑒𝑓𝑒𝑐𝑡𝑜 𝑔𝑙𝑖𝑠𝑠𝑎𝑛𝑑𝑜 𝑦 𝑠𝑢 𝑣𝑖𝑏𝑟𝑎𝑡𝑜 𝑐𝑎𝑟𝑎𝑐𝑡𝑒𝑟𝑖́𝑠𝑡𝑖𝑐𝑜) 𝑠𝑢𝑚𝑎𝑑𝑎 𝑎 𝑙𝑎 𝑝𝑟𝑒𝑐𝑖𝑠𝑖𝑜́𝑛 𝑐𝑎𝑠𝑖 𝑚𝑖𝑙𝑖𝑡𝑎𝑟 𝑑𝑒 𝑠𝑢 𝑠𝑒𝑐𝑐𝑖𝑜́𝑛 𝑟𝑖́𝑡𝑚𝑖𝑐𝑎 ℎ𝑖𝑐𝑖𝑒𝑟𝑜𝑛 𝑞𝑢𝑒 𝑒𝑠𝑡𝑎 𝑣𝑒𝑟𝑠𝑖𝑜́𝑛 𝑑𝑒 "𝐵𝑙𝑢𝑒 𝑆𝑘𝑖𝑒𝑠" 𝑓𝑢𝑒𝑟𝑎 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑚𝑎́𝑠 𝑐𝑜𝑑𝑖𝑐𝑖𝑎𝑑𝑎𝑠 𝑒𝑛 𝑙𝑎𝑠 𝑔𝑟𝑎𝑚𝑜𝑙𝑎𝑠 𝑒𝑢𝑟𝑜𝑝𝑒𝑎𝑠 𝑑𝑒 𝑙𝑎 𝑒́𝑝𝑜𝑐𝑎. 𝐶𝑜𝑚𝑜 𝑑𝑒𝑡𝑎𝑙𝑙𝑒 𝑎𝑟𝑞𝑢𝑒𝑜𝑙𝑜́𝑔𝑖𝑐𝑜 𝑦 𝑑𝑒 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜𝑛𝑖𝑠𝑚𝑜 𝑒𝑥𝑐𝑙𝑢𝑠𝑖𝑣𝑜, 𝑛𝑢𝑒𝑠𝑡𝑟𝑎 𝑐𝑜𝑝𝑖𝑎 𝑓𝑖́𝑠𝑖𝑐𝑎 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎 𝑒𝑛 𝑒𝑠𝑡𝑎 𝑐𝑎𝑟𝑎 𝑢𝑛𝑎 𝑒𝑡𝑖𝑞𝑢𝑒𝑡𝑎 𝑚𝑎𝑛𝑢𝑠𝑐𝑟𝑖𝑡𝑎 𝑑𝑒 𝑠𝑢 𝑎𝑛𝑡𝑖𝑔𝑢𝑎 𝑝𝑟𝑜𝑝𝑖𝑒𝑡𝑎𝑟𝑖𝑎 ("𝑀𝑖𝑐ℎ𝑒̀𝑙𝑒 𝑃𝑎𝑝𝑜𝑢 𝐵𝑒𝑡𝑒𝑖𝑙𝑙𝑒" , 𝑞𝑢𝑒 𝑒𝑙 𝑣𝑖́𝑑𝑒𝑜 𝑑𝑒 𝑒𝑠𝑡𝑒 𝑑𝑖𝑠𝑐𝑜 𝑠𝑒𝑎 𝑢𝑛 𝑝𝑒𝑞𝑢𝑒𝑛̃𝑜 ℎ𝑜𝑚𝑒𝑛𝑎𝑗𝑒 𝑝𝑎𝑟𝑎 𝑒𝑙𝑙𝑎), 𝑢𝑛 𝑝𝑟𝑒𝑐𝑖𝑜𝑠𝑜 𝑡𝑒𝑠𝑡𝑖𝑚𝑜𝑛𝑖𝑜 ℎ𝑢𝑚𝑎𝑛𝑜 𝑞𝑢𝑒 𝑛𝑜𝑠 𝑟𝑒𝑐𝑢𝑒𝑟𝑑𝑎 𝑒𝑙 𝑣𝑖𝑎𝑗𝑒 𝑞𝑢𝑒 ℎ𝑎 ℎ𝑒𝑐ℎ𝑜 𝑒𝑠𝑡𝑒 𝑡𝑟𝑜𝑧𝑜 𝑑𝑒 ℎ𝑖𝑠𝑡𝑜𝑟𝑖𝑎 𝑣𝑖𝑣𝑎 ℎ𝑎𝑠𝑡𝑎 𝑙𝑙𝑒𝑔𝑎𝑟 ℎ𝑜𝑦 𝑎 𝑛𝑢𝑒𝑠𝑡𝑟𝑜 𝑡𝑜𝑐𝑎𝑑𝑖𝑠𝑐𝑜𝑠. 𝑆𝑖 𝑡𝑒 𝑎𝑝𝑎𝑠𝑖𝑜𝑛𝑎 𝑙𝑎 𝑎𝑟𝑞𝑢𝑒𝑜𝑙𝑜𝑔𝑖́𝑎 𝑚𝑢𝑠𝑖𝑐𝑎𝑙 𝑦 𝑙𝑜𝑠 𝑑𝑖𝑠𝑐𝑜𝑠 𝑑𝑒 𝑝𝑖𝑧𝑎𝑟𝑟𝑎, 𝑑𝑎𝑙𝑒 𝑎 𝑀𝑒 𝑔𝑢𝑠𝑡𝑎, 𝑆𝑢𝑠𝑐𝑟𝑖𝑏𝑖𝑟𝑡𝑒 𝑦 𝑎𝑐𝑡𝑖𝑣𝑎 𝑙𝑎 𝑐𝑎𝑚𝑝𝑎𝑛𝑖𝑡𝑎. ¡𝐴𝑦𝑢𝑑𝑎 𝑎 𝑐𝑟𝑒𝑐𝑒𝑟 𝑎 𝑙𝑎 𝑐𝑜𝑚𝑢𝑛𝑖𝑑𝑎𝑑 𝑑𝑒 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜𝑛𝑖𝑠𝑡𝑎𝑠! ☕🎶 𝐵𝑎𝑟𝑛𝑎𝑏𝑎́𝑠 𝑣𝑜𝑛 𝐺𝑒́𝑐𝑧𝑦 (1897–1971) 𝑓𝑢𝑒 𝑢𝑛𝑜 𝑑𝑒 𝑙𝑜𝑠 𝑣𝑖𝑜𝑙𝑖𝑛𝑖𝑠𝑡𝑎𝑠 𝑦 𝑑𝑖𝑟𝑒𝑐𝑡𝑜𝑟𝑒𝑠 𝑑𝑒 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎 𝑚𝑎́𝑠 𝑖𝑛𝑓𝑙𝑢𝑦𝑒𝑛𝑡𝑒𝑠 𝑑𝑒 𝑙𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑑𝑒 𝑠𝑎𝑙𝑜́𝑛 𝑒𝑛 𝐸𝑢𝑟𝑜𝑝𝑎 𝑑𝑢𝑟𝑎𝑛𝑡𝑒 𝑒𝑙 𝑝𝑒𝑟𝑖́𝑜𝑑𝑜 𝑑𝑒 𝑒𝑛𝑡𝑟𝑒𝑔𝑢𝑒𝑟𝑟𝑎𝑠. 𝑆𝑢 𝑟𝑒𝑓𝑖𝑛𝑎𝑑𝑎 𝑡𝑒́𝑐𝑛𝑖𝑐𝑎 𝑦 𝑠𝑢 𝑐𝑎𝑟𝑎𝑐𝑡𝑒𝑟𝑖́𝑠𝑡𝑖𝑐𝑜 𝑒𝑠𝑡𝑖𝑙𝑜 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎𝑙 𝑑𝑜𝑚𝑖𝑛𝑎𝑟𝑜𝑛 𝑙𝑎𝑠 𝑜𝑛𝑑𝑎𝑠 𝑑𝑒 𝑟𝑎𝑑𝑖𝑜 𝑦 𝑙𝑎 𝑣𝑖𝑑𝑎 𝑛𝑜𝑐𝑡𝑢𝑟𝑛𝑎 𝑑𝑒 𝐵𝑒𝑟𝑙𝑖́𝑛 𝑒𝑛 𝑙𝑎𝑠 𝑑𝑒́𝑐𝑎𝑑𝑎𝑠 𝑑𝑒 1920 𝑦 1930.𝑂𝑟𝑖́𝑔𝑒𝑛𝑒𝑠 𝑦 𝑓𝑜𝑟𝑚𝑎𝑐𝑖𝑜́𝑛𝑁𝑎𝑐𝑖𝑑𝑜 𝑒𝑛 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡, 𝐺𝑒́𝑐𝑧𝑦 𝑚𝑜𝑠𝑡𝑟𝑜́ 𝑢𝑛 𝑡𝑎𝑙𝑒𝑛𝑡𝑜 𝑝𝑟𝑒𝑐𝑜𝑧. 𝑆𝑒 𝑓𝑜𝑟𝑚𝑜́ 𝑒𝑛 𝑙𝑎 𝑝𝑟𝑒𝑠𝑡𝑖𝑔𝑖𝑜𝑠𝑎 𝐴𝑐𝑎𝑑𝑒𝑚𝑖𝑎 𝑑𝑒 𝑀𝑢́𝑠𝑖𝑐𝑎 𝑑𝑒 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡 𝑏𝑎𝑗𝑜 𝑙𝑎 𝑡𝑢𝑡𝑒𝑙𝑎 𝑑𝑒𝑙 𝑐𝑒́𝑙𝑒𝑏𝑟𝑒 𝑝𝑒𝑑𝑎𝑔𝑜𝑔𝑜 𝐽𝑒𝑛𝑜̋ 𝐻𝑢𝑏𝑎𝑦, 𝑜𝑏𝑡𝑒𝑛𝑖𝑒𝑛𝑑𝑜 𝑠𝑢𝑠 𝑑𝑖𝑝𝑙𝑜𝑚𝑎𝑠 𝑒𝑛 1915. 𝑇𝑟𝑎𝑠 𝑠𝑒𝑟𝑣𝑖𝑟 𝑒𝑛 𝑙𝑎 𝑃𝑟𝑖𝑚𝑒𝑟𝑎 𝐺𝑢𝑒𝑟𝑟𝑎 𝑀𝑢𝑛𝑑𝑖𝑎𝑙, 𝑙𝑎𝑠 𝑑𝑖𝑓𝑖𝑐𝑢𝑙𝑡𝑎𝑑𝑒𝑠 𝑒𝑐𝑜𝑛𝑜́𝑚𝑖𝑐𝑎𝑠 𝑙𝑜 𝑙𝑙𝑒𝑣𝑎𝑟𝑜𝑛 𝑎 𝑟𝑒𝑎𝑛𝑢𝑑𝑎𝑟 𝑠𝑢 𝑐𝑎𝑟𝑟𝑒𝑟𝑎 𝑟𝑎́𝑝𝑖𝑑𝑎𝑚𝑒𝑛𝑡𝑒. 𝐴 𝑙𝑜𝑠 22 𝑎𝑛̃𝑜𝑠, 𝑠𝑢 𝑑𝑒𝑠𝑡𝑟𝑒𝑧𝑎 𝑡𝑒́𝑐𝑛𝑖𝑐𝑎 𝑙𝑒 𝑣𝑎𝑙𝑖𝑜́ 𝑒𝑙 𝑝𝑢𝑒𝑠𝑡𝑜 𝑑𝑒 𝑝𝑟𝑖𝑚𝑒𝑟 𝑣𝑖𝑜𝑙𝑖́𝑛 𝑑𝑒 𝑙𝑎 𝑂́𝑝𝑒𝑟𝑎 𝑑𝑒 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡. 𝐸𝑙 𝑠𝑎𝑙𝑡𝑜 𝑎 𝑙𝑎 𝑓𝑎𝑚𝑎 𝑒𝑛 𝐵𝑒𝑟𝑙𝑖́𝑛𝐸𝑛 𝑏𝑢𝑠𝑐𝑎 𝑑𝑒 𝑚𝑒𝑗𝑜𝑟𝑒𝑠 𝑜𝑝𝑜𝑟𝑡𝑢𝑛𝑖𝑑𝑎𝑑𝑒𝑠, 𝑠𝑒 𝑡𝑟𝑎𝑠𝑙𝑎𝑑𝑜́ 𝑎 𝐵𝑒𝑟𝑙𝑖́𝑛 𝑒𝑛 1924. 𝐸𝑙 𝑝𝑢𝑛𝑡𝑜 𝑑𝑒 𝑖𝑛𝑓𝑙𝑒𝑥𝑖𝑜́𝑛 𝑑𝑒 𝑠𝑢 𝑐𝑎𝑟𝑟𝑒𝑟𝑎 𝑙𝑙𝑒𝑔𝑜́ 𝑒𝑛 1925, 𝑐𝑢𝑎𝑛𝑑𝑜 𝑠𝑢 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎 𝑓𝑖𝑟𝑚𝑜́ 𝑢𝑛 𝑐𝑜𝑛𝑡𝑟𝑎𝑡𝑜 𝑑𝑒 𝑟𝑒𝑠𝑖𝑑𝑒𝑛𝑐𝑖𝑎 𝑒𝑛 𝑒𝑙 𝑒𝑥𝑐𝑙𝑢𝑠𝑖𝑣𝑜 𝐻𝑜𝑡𝑒𝑙 𝐸𝑠𝑝𝑙𝑎𝑛𝑎𝑑𝑒, 𝑞𝑢𝑒 𝑠𝑒 𝑒𝑥𝑡𝑒𝑛𝑑𝑖𝑜́ ℎ𝑎𝑠𝑡𝑎 1937. 𝐸𝑠𝑡𝑒 𝑙𝑢𝑔𝑎𝑟 𝑒𝑟𝑎 𝑒𝑙 𝑒𝑝𝑖𝑐𝑒𝑛𝑡𝑟𝑜 𝑑𝑒 𝑙𝑎 𝑎𝑙𝑡𝑎 𝑠𝑜𝑐𝑖𝑒𝑑𝑎𝑑 𝑦 𝑙𝑎𝑠 𝑒𝑠𝑡𝑟𝑒𝑙𝑙𝑎𝑠 𝑑𝑒 𝑐𝑖𝑛𝑒, 𝑙𝑜 𝑞𝑢𝑒 𝑐𝑎𝑡𝑎𝑝𝑢𝑙𝑡𝑜́ 𝑠𝑢 𝑝𝑜𝑝𝑢𝑙𝑎𝑟𝑖𝑑𝑎𝑑. 𝐸𝑛 1932 𝑐𝑜𝑛𝑠𝑜𝑙𝑖𝑑𝑜́ 𝑠𝑢 𝑒𝑠𝑡𝑎𝑡𝑢𝑠 𝑎𝑙 𝑔𝑎𝑛𝑎𝑟 𝑒𝑙 𝑝𝑟𝑒𝑠𝑡𝑖𝑔𝑖𝑜𝑠𝑜 𝑐𝑜𝑛𝑐𝑢𝑟𝑠𝑜 𝑑𝑒 𝑙𝑎 "𝑉𝑖𝑜𝑙𝑖𝑛𝑎 𝐴𝑧𝑢𝑙".𝐸𝑠𝑡𝑖𝑙𝑜 𝑚𝑢𝑠𝑖𝑐𝑎𝑙𝐴 𝑑𝑖𝑓𝑒𝑟𝑒𝑛𝑐𝑖𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑏𝑎𝑛𝑑𝑎𝑠 𝑑𝑒 𝑗𝑎𝑧𝑧 𝑑𝑒 𝑙𝑎 𝑒́𝑝𝑜𝑐𝑎, 𝐺𝑒́𝑐𝑧𝑦 𝑝𝑟𝑖𝑜𝑟𝑖𝑧𝑎𝑏𝑎 𝑑𝑒 𝑚𝑎𝑛𝑒𝑟𝑎 𝑎𝑏𝑠𝑜𝑙𝑢𝑡𝑎 𝑙𝑎𝑠 𝑠𝑒𝑐𝑐𝑖𝑜𝑛𝑒𝑠 𝑑𝑒 𝑐𝑢𝑒𝑟𝑑𝑎 (𝑣𝑖𝑜𝑙𝑖𝑛𝑒𝑠 𝑦 𝑣𝑖𝑜𝑙𝑜𝑛𝑐ℎ𝑒𝑙𝑜𝑠). 𝑆𝑢 𝑎𝑔𝑟𝑢𝑝𝑎𝑐𝑖𝑜́𝑛 𝑠𝑒 𝑑𝑖𝑠𝑡𝑖𝑛𝑔𝑢𝑖́𝑎 𝑝𝑜𝑟 𝑢𝑛 𝑣𝑖𝑏𝑟𝑎𝑡𝑜 𝑒𝑙𝑒𝑔𝑎𝑛𝑡𝑒, 𝑢𝑛𝑎 𝑝𝑟𝑒𝑐𝑖𝑠𝑖𝑜́𝑛 𝑚𝑖𝑙𝑖𝑚𝑒́𝑡𝑟𝑖𝑐𝑎 𝑦 𝑢𝑛 𝑟𝑒𝑝𝑒𝑟𝑡𝑜𝑟𝑖𝑜 𝑠𝑢𝑚𝑎𝑚𝑒𝑛𝑡𝑒 𝑣𝑒𝑟𝑠𝑎́𝑡𝑖𝑙. 𝐹𝑢𝑠𝑖𝑜𝑛𝑎𝑏𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑐𝑙𝑎́𝑠𝑖𝑐𝑎 𝑙𝑖𝑔𝑒𝑟𝑎, 𝑜𝑝𝑒𝑟𝑒𝑡𝑎𝑠, 𝑓𝑜𝑙𝑐𝑙𝑜𝑟𝑒 ℎ𝑢́𝑛𝑔𝑎𝑟𝑜 𝑦, 𝑑𝑒 𝑚𝑎𝑛𝑒𝑟𝑎 𝑚𝑢𝑦 𝑑𝑒𝑠𝑡𝑎𝑐𝑎𝑑𝑎, 𝑒𝑙 𝑡𝑎𝑛𝑔𝑜 𝑒𝑢𝑟𝑜𝑝𝑒𝑜, 𝑎𝑐𝑡𝑢𝑎𝑛𝑑𝑜 𝑎 𝑚𝑒𝑛𝑢𝑑𝑜 𝑐𝑜𝑚𝑜 𝑆𝑡𝑒ℎ𝑔𝑒𝑖𝑔𝑒𝑟 (𝑡𝑜𝑐𝑎𝑛𝑑𝑜 𝑒𝑙 𝑣𝑖𝑜𝑙𝑖́𝑛 𝑑𝑒 𝑝𝑖𝑒 𝑚𝑖𝑒𝑛𝑡𝑟𝑎𝑠 𝑑𝑖𝑟𝑖𝑔𝑖́𝑎). 𝐿𝑜𝑠 𝑎𝑛̃𝑜𝑠 𝑑𝑒 𝑔𝑢𝑒𝑟𝑟𝑎 𝑦 𝑝𝑜𝑠𝑔𝑢𝑒𝑟𝑟𝑎𝐷𝑢𝑟𝑎𝑛𝑡𝑒 𝑒𝑙 𝑇𝑒𝑟𝑐𝑒𝑟 𝑅𝑒𝑖𝑐ℎ, 𝑠𝑢 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑐𝑙𝑎́𝑠𝑖𝑐𝑎 𝑦 𝑒𝑙𝑒𝑔𝑎𝑛𝑡𝑒 𝑠𝑒 𝑚𝑎𝑛𝑡𝑢𝑣𝑜 𝑚𝑢𝑦 𝑝𝑜𝑝𝑢𝑙𝑎𝑟, 𝑎𝑙𝑒𝑗𝑎𝑑𝑎 𝑑𝑒𝑙 𝑗𝑎𝑧𝑧 𝑝𝑟𝑜ℎ𝑖𝑏𝑖𝑑𝑜. 𝑅𝑒𝑐𝑖𝑏𝑖𝑜́ 𝑒𝑙 𝑡𝑖́𝑡𝑢𝑙𝑜 𝑑𝑒 "𝑃𝑟𝑜𝑓𝑒𝑠𝑜𝑟" 𝑒𝑛 1938, 𝑎𝑢𝑛𝑞𝑢𝑒 𝑛𝑢𝑛𝑐𝑎 𝑠𝑒 𝑎𝑓𝑖𝑙𝑖𝑜́ 𝑎𝑙 𝑃𝑎𝑟𝑡𝑖𝑑𝑜 𝑁𝑎𝑧𝑖. 𝐴𝑙 𝑡𝑒𝑟𝑚𝑖𝑛𝑎𝑟 𝑙𝑎 𝑔𝑢𝑒𝑟𝑟𝑎, 𝑠𝑢𝑓𝑟𝑖𝑜́ 𝑢𝑛𝑎 𝑝𝑟𝑜ℎ𝑖𝑏𝑖𝑐𝑖𝑜́𝑛 𝑡𝑒𝑚𝑝𝑜𝑟𝑎𝑙 𝑑𝑒 𝑎𝑐𝑡𝑢𝑎𝑟. 𝐸𝑛 1952 𝑠𝑒 𝑟𝑒ℎ𝑎𝑏𝑖𝑙𝑖𝑡𝑜́ 𝑚𝑢𝑠𝑖𝑐𝑎𝑙𝑚𝑒𝑛𝑡𝑒 𝑎𝑙 𝑓𝑜𝑟𝑚𝑎𝑟 𝑢𝑛 𝑛𝑢𝑒𝑣𝑜 𝑐𝑜𝑛𝑗𝑢𝑛𝑡𝑜 𝑒𝑛 𝑒𝑙 𝐶𝑎𝑓𝑒́ 𝐿𝑢𝑖𝑡𝑝𝑜𝑙𝑑 𝑑𝑒 𝑀𝑢́𝑛𝑖𝑐ℎ, 𝑑𝑜𝑛𝑑𝑒 𝑡𝑜𝑐𝑜́ ℎ𝑎𝑠𝑡𝑎 𝑠𝑢𝑠 𝑢́𝑙𝑡𝑖𝑚𝑜𝑠 𝑎𝑛̃𝑜𝑠. 𝐸𝑙 𝑙𝑒𝑔𝑎𝑑𝑜 𝑑𝑖𝑠𝑐𝑜𝑔𝑟𝑎́𝑓𝑖𝑐𝑜,𝐺𝑒́𝑐𝑧𝑦 𝑑𝑒𝑗𝑜́ 𝑢𝑛 𝑙𝑒𝑔𝑎𝑑𝑜 𝑖𝑛𝑚𝑒𝑛𝑠𝑜 𝑐𝑜𝑛 𝑚𝑎́𝑠 𝑑𝑒 700 𝑔𝑟𝑎𝑏𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑒𝑛 𝑑𝑖𝑠𝑐𝑜𝑠 𝑑𝑒 78 𝑟𝑒𝑣𝑜𝑙𝑢𝑐𝑖𝑜𝑛𝑒𝑠 𝑝𝑎𝑟𝑎 𝑠𝑒𝑙𝑙𝑜𝑠 𝑐𝑜𝑚𝑜 𝑃𝑎𝑟𝑙𝑜𝑝ℎ𝑜𝑛, 𝑇𝑒𝑙𝑒𝑓𝑢𝑛𝑘𝑒𝑛 𝑦 𝐺𝑟𝑎𝑚𝑜𝑝ℎ𝑜𝑛𝑒. 𝑆𝑢 𝑚𝑎𝑦𝑜𝑟 𝑒́𝑥𝑖𝑡𝑜 𝑓𝑢𝑒 𝑃𝑢𝑠𝑧𝑡𝑎 𝐹𝑜𝑥, 𝑞𝑢𝑒 𝑣𝑒𝑛𝑑𝑖𝑜́ 𝑚𝑖𝑙𝑙𝑜𝑛𝑒𝑠 𝑑𝑒 𝑐𝑜𝑝𝑖𝑎𝑠. 𝑇𝑎𝑚𝑏𝑖𝑒́𝑛 𝑖𝑛𝑚𝑜𝑟𝑡𝑎𝑙𝑖𝑧𝑜́ 𝑡𝑎𝑛𝑔𝑜𝑠 𝑖𝑐𝑜́𝑛𝑖𝑐𝑜𝑠 𝑐𝑜𝑚𝑜 𝐵𝑙𝑎𝑢𝑒𝑟 𝐻𝑖𝑚𝑚𝑒𝑙 (𝑑𝑒 𝐽𝑜𝑠𝑒𝑓 𝑅𝑖𝑥𝑛𝑒𝑟), 𝑑𝑒𝑚𝑜𝑠𝑡𝑟𝑎𝑛𝑑𝑜 𝑞𝑢𝑒 𝑙𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑝𝑜𝑝𝑢𝑙𝑎𝑟 𝑑𝑒 𝑒𝑛𝑡𝑟𝑒𝑡𝑒𝑛𝑖𝑚𝑖𝑒𝑛𝑡𝑜 𝑝𝑜𝑑𝑖́𝑎 𝑎𝑙𝑐𝑎𝑛𝑧𝑎𝑟 𝑒𝑙 𝑟𝑖𝑔𝑜𝑟 𝑦 𝑙𝑎 𝑝𝑒𝑟𝑓𝑒𝑐𝑐𝑖𝑜́𝑛 𝑑𝑒 𝑙𝑎 𝑎𝑐𝑎𝑑𝑒𝑚𝑖𝑎 𝑐𝑙𝑎́𝑠𝑖𝑐𝑎 📀 𝐸𝑙 𝑠𝑜𝑛𝑖𝑑𝑜 𝑐𝑜𝑟𝑟𝑒𝑠𝑝𝑜𝑛𝑑𝑒 𝑎𝑙 𝑒𝑠𝑡𝑎𝑑𝑜 𝑟𝑒𝑎𝑙 𝑑𝑒𝑙 𝑑𝑖𝑠𝑐𝑜 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎𝑑𝑜 𝑒𝑛 𝑚𝑖 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜́𝑛. 𝐷𝑒𝑏𝑖𝑑𝑜 𝑎 𝑠𝑢 𝑎𝑛𝑡𝑖𝑔𝑢̈𝑒𝑑𝑎𝑑, 𝑎𝑙𝑔𝑢𝑛𝑜𝑠 𝑒𝑗𝑒𝑚𝑝𝑙𝑎𝑟𝑒𝑠 𝑝𝑢𝑒𝑑𝑒𝑛 𝑝𝑟𝑒𝑠𝑒𝑛𝑡𝑎𝑟 𝑟𝑢𝑖𝑑𝑜𝑠 𝑑𝑒 𝑠𝑢𝑝𝑒𝑟𝑓𝑖𝑐𝑖𝑒, 𝑑𝑒𝑠𝑔𝑎𝑠𝑡𝑒 𝑜 𝑝𝑒𝑞𝑢𝑒𝑛̃𝑎𝑠 𝑖𝑚𝑝𝑒𝑟𝑓𝑒𝑐𝑐𝑖𝑜𝑛𝑒𝑠 𝑝𝑟𝑜𝑝𝑖𝑎𝑠 𝑑𝑒𝑙 𝑝𝑎𝑠𝑜 𝑑𝑒𝑙 𝑡𝑖𝑒𝑚𝑝𝑜. 𝐸𝑙 𝑜𝑏𝑗𝑒𝑡𝑖𝑣𝑜 𝑑𝑒 𝑒𝑠𝑡𝑒 𝑐𝑎𝑛𝑎𝑙 𝑒𝑠 𝑝𝑟𝑒𝑠𝑒𝑟𝑣𝑎𝑟 𝑦 𝑑𝑖𝑓𝑢𝑛𝑑𝑖𝑟 𝑑𝑜𝑐𝑢𝑚𝑒𝑛𝑡𝑜𝑠 𝑠𝑜𝑛𝑜𝑟𝑜𝑠 𝑑𝑒 𝑖𝑛𝑡𝑒𝑟𝑒́𝑠 ℎ𝑖𝑠𝑡𝑜́𝑟𝑖𝑐𝑜, 𝑚𝑜𝑠𝑡𝑟𝑎𝑛𝑑𝑜 𝑙𝑎𝑠 𝑔𝑟𝑎𝑏𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑒𝑛 𝑠𝑢 𝑓𝑜𝑟𝑚𝑎𝑡𝑜 𝑦 𝑠𝑜𝑛𝑖𝑑𝑜 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙𝑒𝑠. 𝐺𝑟𝑎𝑐𝑖𝑎𝑠 𝑝𝑜𝑟 𝑒𝑠𝑐𝑢𝑐ℎ𝑎𝑟 𝑦 𝑎𝑐𝑜𝑚𝑝𝑎𝑛̃𝑎𝑟𝑚𝑒 𝑒𝑛 𝑒𝑠𝑡𝑎 𝑙𝑎𝑏𝑜𝑟 𝑑𝑒 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎𝑐𝑖𝑜́𝑛 𝑦 𝑑𝑖𝑣𝑢𝑙𝑔𝑎𝑐𝑖𝑜́𝑛 𝑚𝑢𝑠𝑖𝑐𝑎𝑙. 📀 𝐸𝑙 𝑠𝑜𝑛𝑖𝑑𝑜 𝑐𝑜𝑟𝑟𝑒𝑠𝑝𝑜𝑛𝑑𝑒 𝑎𝑙 𝑒𝑠𝑡𝑎𝑑𝑜 𝑟𝑒𝑎𝑙 𝑑𝑒𝑙 𝑑𝑖𝑠𝑐𝑜 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎𝑑𝑜 𝑒𝑛 𝑚𝑖 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜́𝑛.