暴风骤雨 The Storm 段锦川、蒋樾 Duan Jinchuan & Jiang Yue (2005)

（English follows） 1947年，土改工作队员和作家周立波创作了小说《暴风骤雨》，描述了这次规模空前的土地改革运动，并被当成土改教科书数十年来广泛流传。上个世纪六十年代初，小说《暴风骤雨》被拍成同名电影，反复播映。 该纪录片回到了小说的原型地——如今被称为土改文化第一村的黑龙江省元宝村，通过口述与影像去追寻这段历史。赵光腚、韩老六、郭全海、白玉山等小说中的人物，都可以从元宝村发现对应的人物原型，然而他们的命运又有着有趣的差异和相似之处。导演访谈了当地农民、土改工作队员和历史学家，并引用了历史资料，呈现土改时期东北农村的情况。由他们的真实经历，展示了去标签化的土改记忆，讲述了其中的混乱、暴力以及复杂的利益纠纷。 创作者简介： 蒋樾（1962—-），导演、编剧，长期活跃于纪录片创作一线。他毕业于中国戏曲学院戏文系，1988年毕业后进入北京电影制片厂工作，师从著名导演黄健中，先后参与剧情片《龙年警官》《过年》的拍摄。1995年，他执导的纪录片《彼岸》获日本山形国际纪录片电影节亚洲评委会奖，开始在纪录片领域崭露头角。此后，他相继创作了《幸福生活》《天上西藏》《粉墨春秋》《暴风骤雨》等作品，题材涵盖社会现实、文化传承与历史记忆。 2009年，他与康健宁、段锦川联合执导《法门寺》，通过宗教与历史的交织展现佛教东传的文明轨迹。2013年执导的纪录片《京剧》获第3届中国纪录片学院奖最佳国际传播奖。2018年，他与段锦川合作完成《三国的世界》，用纪实语言重构三国历史图景。因其在纪录片创作中的持续贡献，蒋樾于2012年获颁第2届中国纪录片学院奖特别贡献奖。 段锦川（1962—），纪录片导演、编剧，自1990年代起活跃于纪录片创作前沿，以深刻的人文关怀和扎实的影像语言著称。他毕业于中国传媒大学，1994年，他执导的首部纪录片《广场》获山形国际纪录片电影节“国际影评人协会奖”、波波里国际纪录片电影节最佳人文影片奖、夏威夷国际电影节评审委员会奖等多个国际奖项。1997年，他的作品《八廓南街16号》获法国真实电影节最高奖“真实电影奖”，确立了他在国际纪录片界的重要地位。 此后，段锦川持续关注社会现实、文化传承与历史叙述，创作了《拎起大舌头》《爱情战争》《粉墨春秋》《暴风骤雨》《天上西藏》《振兴东北》等多部纪录片。2024年，段锦川入选第二十六届上海国际电影节金爵奖纪录片单元评审委员会，担任评委。 In 1947, writer and land reform team member Zhou Libo wrote the novel The Storm, which depicted the massive land reform campaign sweeping across rural China. The book became a widely circulated textbook for land reform education over the following decades. In the early 1960s, the novel was adapted into a film of the same name, which was repeatedly broadcast and deeply influential. This documentary returns to the novel’s real-life setting, Yuanbao Village in Heilongjiang Province, known as “the first village of land reform culture”, to revisit that history through oral accounts and archival footage. Characters such as Zhao Guangding, Han Laoliu, Guo Quanhai, and Bai Yushan, featured in the novel, all have real-life counterparts in Yuanbao Village. Yet their fates differ in ways that are both compelling and revealing. Using the novel and the village as central threads, director Jiang Yue interviews local farmers, former land reform team members, and historians, weaving in historical documents to portray life in rural Northeast China during the land reform era. Through their lived experiences, the film presents a deconstructed, de-mythologized memory of land reform—one marked by chaos, violence, and complex conflicts of interest. About the Creators: Jiang Yue (1962–) graduated from the Department of Dramatic Literature at the National Academy of Chinese Theatre Arts. He is a mainland Chinese director and screenwriter who has long been active at the forefront of documentary filmmaking. After graduating in 1988, he joined the Beijing Film Studio and studied under renowned director Huang Jianzhong, participating in the production of narrative films such as Dragon Year Police Officer and New Year Celebration. In 1995, his documentary The Other Shore won the Asian Jury Prize at the Yamagata International Documentary Film Festival in Japan, marking his emergence in the field. He went on to create a series of documentaries, including Happy Life, Tibet in the Sky, Painted Faces, and The Storm, exploring themes ranging from social reality to cultural heritage and historical memory. In 2009, he co-directed Famen Temple with Kang Jianning and Duan Jinchuan, examining the eastward spread of Buddhism through its historical and religious significance. His 2013 documentary Peking Opera won the Best International Communication Award at the 3rd China Documentary Academy Awards. In 2018, he collaborated again with Duan Jinchuan on The World of the Three Kingdoms, a documentary reconstruction of the Three Kingdoms era. In recognition of his continued contributions to documentary film, Jiang was awarded the Special Contribution Award at the 2nd China Documentary Academy Awards in 2012. Duan Jinchuan (1962–) graduated from the Communication University of China and is a prominent documentary director and screenwriter in mainland China. Since the 1990s, he has been a leading figure in Chinese documentary filmmaking, known for his deep humanistic focus and precise visual language. His debut documentary The Square (1994) received multiple international accolades, including the FIPRESCI Prize at the Yamagata International Documentary Film Festival, Best Humanist Film at the Popoli International Documentary Film Festival, and the Jury Prize at the Hawaii International Film Festival. His 1997 work No. 16 Barkhor South Street won the Grand Prize at the Cinéma du Réel festival in France, cementing his reputation in the international documentary community. Duan has since continued to explore social issues, cultural memory, and historical narratives through works such as The Secret of My Success, Love and War, Painted Faces, The Storm, Tibet in the Sky, and Reviving the Northeast. In 2024, Duan Jinchuan was selected as a jury member for the Documentary section of the 26th Shanghai International Film Festival’s Golden Goblet Awards.