Baroque Dialogues: Early Cello and Viola da Gamba | Amarilis Dueñas · MarchVivo

The second half of the 18th century witnessed a decisive succession crisis among string instruments: associated with the Ancien Régime and lacking the sound power of its rival, the Viola da Gamba gradually lost its hegemony among performers and audiences in favour of the Baroque cello. The sonic display of this coexistence between the two instruments—and the revival of the former in the 20th century—is at the heart of the story Amarilis Dueñas presents in this edition of Young Performers. Joseph Dall’Abaco (1710–1805) 00:00 Capriccio No. 1 in C Minor (Eleven Capricci for cello) ¹ Tobias Hume (1569–1645) Musicall Humors (selection) ² 05:18 Death 11:30 Life Johann Sebastian Bach (1685–1750) 13:16 Allemande (Suite No. 1 in G Major for solo cello, BWV 1007) ¹ Joseph Dall’Abaco (1710–1805) Eleven Capricci for cello (selection) ¹ 19:10 Capriccio No. 3 in E flat Major 23:05 Capriccio No. 2 in G Minor Carl Friedrich Abel (1723–1787) Twenty-seven Pieces for solo Viola da Gamba (Drexel Manuscript) (selection) ² 26:26 Allegretto in A Major, AbelWV A32 29:55 Allegro in A Major, AbelWV A33 Johann Sebastian Bach (1685–1750) 31:28 Sarabande (Suite No. 2 in D Minor for solo cello, BWV 1008) ¹ 35:42 Prelude (Suite No. 3 in C Major for solo cello, BWV 1009) ¹ Amarilis Dueñas (1998) 39:15 Lamento de Sunneva ² Amarilis Dueñas, baroque cello (¹) and viola da gamba (²) Excerpt from the concert in the series “Young Performers” https://www.march.es/es/madrid/concie... 24 November 2024 Fundación Juan March, Madrid ______________ Concerts at Fundación Juan March: https://www.march.es/en/madrid/concerts More videos at https://canal.march.es/es/explorar/mu... Instagram:   / fundacionmarch   X:   / la_march_madrid   Facebook:   / fundacionmarch   Medium:   / fundacionjuanmarch   #AmarilisDueñas #Bach #MarchVivo