This Patch Sounds Like a Deep Cinematic Blade Runner Soundtrack

I tried using simple sequences based on probabilities or “chance” modules to create little melodies and chords. The melodies in the “pitches” modules play differently too, since I randomize the phase every 32 bars. On top of that, there’s a random noise generator. All of that goes into a big reverb diffuser, like the one I showed in my last tutorial. After that, I use delays to pitch everything down an octave, which makes it sound deeper and fluffier. On the master, I use Polarity-SC and MMatcher to keep the frequencies under control. Download: https://polarity.productions/dispenser/ (needs Bitwig 6.0.5 or higher) -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 donate via Paypal: https://bit.ly/3cae9t8 🎧 my Music: https://polarity.bandcamp.com/ 💾 my Tools: https://polarity.me/posts/articles/20... 💻 my Gear: https://kit.co/polarity/polarity-musi... 👉 Discord:   / discord   👉 Website: https://polarity.me -- 🛒 Buy Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 Upgrade Bitwig Studio & Support me https://bit.ly/3OimEjc 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66 -- MY YOUTUBE CHANNELS Main channel, tutorials: @PolarityMusic Deutsche Tutorials: @polaritymusiknurindeutsch Bitwig Guide: @BitwigGuide Only Music: @PolarityMusicOnly