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🖌 Painting a fig leaf on WATERCOLOR by Scarlett Damen

Scarlett Damen

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🖌 Painting a fig leaf on WATERCOLOR by Scarlett Damen

2 809 просмотров · 6 л. назад
Scarlett Damen
32,5 тыс. подписчиков
2 809 просмотров · 6 л. назад
🖌 Paint a fig leaf in watercolour using layered greens, pale veins, and the loose, dancing brush marks of scumbling. In this real-time lesson, I build the leaf through broken washes and successive layers, preserving small spaces of white paper for light and texture. Towards the end, I add brown accents to suggest the leaf’s drying edges. We explore: • Preparing sections with water before adding colour • Comparing wet-in-wet washes with direct painting • Leaving white gaps and pale veins • Building depth with repeated layers • Scumbling with small taps and broken marks • Lifting selected vein details • Adding yellow and brown accents Alongside the painting, I share thoughts about using the art materials we already have and considering the environmental choices within our practice. FREE CLASS ASSIGNMENT, REFERENCE IMAGES & SKETCHES Find the accompanying assignment, progress photographs, original sketch, six-stage graphite study, and printable tracing outline:   / 33553804   CHAPTERS 00:00 Studio update, sketching & choosing brushes 02:54 Introducing the fig leaf & wetting the first section 03:55 First green wash & preserving white spaces 05:11 Comparing direct painting with wet-in-wet 06:15 Building broken texture around the veins 08:14 Developing lighter passages & white gaps 10:10 Painting alongside a discussion of materials & environmental choices 17:54 Returning to the layering process 19:41 Adding darker green & softening passages 21:57 Lifting vein details 22:19 Introducing yellow 23:41 Mixing deeper green & building depth 27:18 Further layers while preserving white spaces 28:19 Brown accents along the drying edges 30:33 Deepening the brown & adding small details 31:15 Reviewing the painting & refining the texture 34:08 Final assessment & closing MATERIALS USED Paints: Schmincke Cadmium Yellow, Indigo, and Burnt Umber. Brushes: da Vinci Maestro Series 10 size 4 round and Series 5519 size 5 scriptliner. Paper: Fabriano cold-pressed, fine-grain watercolour paper, 300 gsm / 140 lb. You’re welcome to use suitable materials from your own collection. MORE ART LESSONS Explore my free Patreon posts for further lessons, studies, and resources:   / scarlettdamen   Subscribe for more drawing and watercolour classes. Voluntary support through Patreon helps me continue creating and sharing my teaching. Happy painting, Scarlett