Raag Paraj Tutorial | Chalan|Alap| Tintal|Moumita Mitra

Raag Paraj Tutorial. Chalan followed by an Alap and Teentaal Bandish. Aroh Avroh S G m d N S' S' N d P m P G M G r S Or ,N S G m P m d N S' S' N d P m P G M G m G r S ThaaT - Poorvi Poorvang Poorvi/KalingRa Uttarang Basant Vadi Samvadi S' P or G N Time: 4th Prahar of Night. 3-6 am Use of shuddha Ma - M is said to be either like Purvi or KaingRa Occasionally KalingRa like GM PMPM GMG used. Use of P and r in Avrohi phrases However some artists choose to use phrases like PdN or mPdN mPdP etc.. Usually S G m is used, however in Uttarang ,N ,r, G is used sometimes. Nyaas on G P S' and N Nyaas on N is a distinct feature. Phrases like : mdr'N Ns'r'S'N mdS'Nr'S'N Distinguishing from Basant 1.Nyaas on N. 2.Shorter use of m mdS' NdP mGm---- G is a phrase of Basant where the m-- means longer m The same phrase when used in Paraj should be mdS' NdP mP GMG .. the longer m is not used. 3. In Basant shuddha M is used as S M, but in Paraj it is P GMG Distinguishing from Purvi during use of M In Purvi, the shuddh Ma is used like P m G M G - or as d mM G- G M G - r G r M G r S Distinguishing from Puriya Dhanashree (not mentioned in my video) ,NrGm in Puriya Dhanasree and ,NSGm in Paraj. GmdP GmdNdP are common to both but use of P GMG shows Paraj clearly and P mGmRG characteristic of Puriya Dhanashree. GmdNS' GmdNrN dP are common to both, but the longer Ni characterises Paraj. There could be more common phrases to both Puriya Dhanashree and Paraj especially in the GmPD and mdNS' swar Samuha, however we have to understand from the swar lagaaw, gaayaki and use of other phrases along with the common phrases to understand the differences. In Paraj, use of shuddha Ma P GMG rS or P GMG m GrS - mP GMG The Pm GMG is avoided, rather GMG is used directly after P. Some artists have chosen not to use shuddha Ma at all. The possibilities of Shuddha Ma in a KalingRa like way is harnessed in a JoR Raag Paraj KalingRa, where more KalingRa like phrases with Shuddha Ma are used in conjunction with Paraj phrases with Tivra Ma. Since the use of Shuddha Ma is considered as an ang of KalingRa in Bhairav ThaaT; and also due to the time of the Raag(4th prahar of night), the Raag is considered as a Parmel Praveshak Raag, transiting from Purvi ThaaT to Bhairav ThaaT. However the JoR Raag Paraj KalingRa fits in better in the Parmel Praveshak category. Tintal lyric from Kramik Pustak Malika, recomposed by myself to show a Nyaas on Ni and use of Shuddh Ma Bolan Laagi Papiyaraa Nanadi Maikaa Bhavan Na Bhaawe More Saiyyaan Sandeswaa Naa Bheje Adhik Soch Jiyaraa Pachhtaawe #paraj #parajtutorial #parajmoumitamitra #parajtutorialmoumitamitra #ragatutorialseriesmoumitamitra #rareragamoumitamitra #rareraga