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King Sturgav Sound System ft Daddy U Roy & Charlie Chaplin Live 1983 🔥🔥

Official Reggae Vibes

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King Sturgav Sound System ft Daddy U Roy & Charlie Chaplin Live 1983 🔥🔥

9 848 просмотров · 3 года назад
Official Reggae Vibes
15,6 тыс. подписчиков
9 848 просмотров · 3 года назад
King Sturgav Sound System ft Daddy U Roy & Charlie Chaplin 1983 🔥🔥 Version Galore U-Roy was born Ewart Beckford in Jones Town, Jamaica, in 1942. He started out DJing in 1961, working with various sound systems before landing a position as top DJ for King Tubby's Hi-Fi sound system in the late '60s. Producer Keith Hudson first took U-Roy into the studio in late 1969, but the material's release was delayed. U-Roy worked with Bunny Lee and Lloyd Daley on a few singles that drew some regional buzz before pairing with singer John Holt in early 1970. Holt's work with U-Roy emphasized the DJ's unique toasting approach, and the material they worked on together climbed the charts. Some of his best tracks were collected for the 1971 album Version Galore, and toasting began taking hold in Jamaica. Dread in a Babylon Throughout the '70s, U-Roy worked with many of Jamaica's top producers, cutting singles with Lee "Scratch" Perry, Sonia Pottinger, Alvin Ranglin, and many others. He toured in the U.K. and collaborated with roots reggae powerhouses like the Soul Syndicate on 1975's Dread in a Babylon and Sly & Robbie for the next year's Natty Rebel. Now signed with Virgin Records, U-Roy's music started to gain an international following. He launched his own sound system in 1978, and it served as a testing ground for the next generation of dancehall talents. Those involved with U-Roy's Stur Gav sound system included Ranking Joe, Josey Wales, and Shabba Ranks, who would introduce American pop audiences to dancehall with a string of hits in the '90s. Serious Matter U-Roy's recorded output slowed as he became more involved with his sound system, but he remained active in the studio and on-stage throughout the '80s, '90s, and 2000s. Albums like 1999's Errol Holt-produced Serious Matter and 2012's Pray Fi Di People were celebrated by die-hard reggae fans and saw U-Roy collaborating with reggae legends like Marcia Griffiths and Horace Andy. The last album released during his lifetime, 2018's Talking Roots, was produced by Mad Professor and showcased the godfather of deejay culture still in strong command of his talents after over 50 years of making music. U-Roy died on February 17, 2021, at the age of 78. In July of that year, his final album, Solid Gold U-Roy, surfaced. The record, originally intended for release in 2020, featured guest appearances from Santigold, Ziggy Marley, Shaggy, and the Clash's Mick Jones, among others. Charlie Chaplin (born Richard Bennett) first came to prominence as a member of DJ innovator U-Roy's Stur-Gav Hi-Fi in 1980-1981. Along with fellow Stur-Gav chatter Josey Wales, Chaplin became one of the most popular DJs on the island during his stay with U-Roy, even rivaling the dancehall king of the day, Yellowman. Wales and Chaplin also gained inspiration from U-Roy, continuing the DJ tradition Roy helped launch in the late '60s by taking on some of the master's phasing style and lyrical predilections. Red Pond & Chaplin Chant Chaplin soon cut his first album for producer and ex-Royals singer Roy Cousins. The two albums that resulted, Red Pond and Chaplin Chant, gave Chaplin's career a major boost with his first hits, "Mother in Law" and "Diet Rock"; the set also featured the Kilamanjaro DJ Jim Kelly, who was shot and killed shortly after the recording was made. Two Sides of Charlie Chaplin Chaplin's subsequent recordings with producer George Phang, though, would really put him over the top. His first Phang release, Que Dem, has proven to be one of his most popular and critically acclaimed albums. This is due in no small part to the heavy use of vintage Studio One material like Baba Brooks' "Shank I Shek," Slim Smith's "Never Let Go," and the Sound Dimension's "Full Up." And more than just letting the rhythms take all the weight, Chaplin demonstrates his seamless lyrical flow and witty sensibilities throughout these discs. Chaplin, like Wales, would continue to cut quality sides throughout the '80s, working with a variety of producers like Henry "Junjo" Lawes, Bunny Roots, and Sly & Robbie. In 1989, he signed with RAS and cut a handful of albums through the mid-'90s. While not on the same high plane as his vintage sides of almost a decade earlier, albums like The Two Sides of Charlie Chaplin, Take Two, and Cry Blood show why Chaplin is still considered one of the top toasters on the island. Chaplin also cut a session for VP Records, 1994's King of Dancehall, which was a collaboration with his old Stur-Gav partner, Josey Wales. Throughout the '90s, Chaplin enlisted the services of ragga producer Doctor Dread, while also manning a few sessions himself. And as was the case with much of his '80s work, Chaplin's RAS releases predominantly featured the dancehall-defining band Roots Radics. ❤️💛💚 #Reggae & #SoundSystem #Culture For more Quality Vibes Subscribe to our YouTube Channel.