Is Greatness Actually Worth It?
Philosophica
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Is Greatness Actually Worth It?
129 просмотров · 2 нед. назад
Philosophica
55 подписчиков
129 просмотров · 2 нед. назад
In 326 BCE, Alexander reached the Hyphasis River and wanted to march farther. His soldiers refused. They had helped him win an empire, but they could no longer agree that another victory was worth the life it would cost them.
That moment raises a question beyond Alexander: when does a great pursuit stop serving your life—and when does your life begin serving the pursuit?
Through Aristotle’s idea of living well and the crisis Leo Tolstoy described after achieving fame, this film examines three tests for ambition: what success is for, what it asks you to sacrifice, and whether you can recognize what would be enough. It is not an argument against difficult work. It is an argument for knowing why you do it.
0:00 Is greatness actually worth it?
0:04 Alexander reaches the Hyphasis
0:31 The army’s refusal
1:27 Aristotle’s test
2:14 A victory is not a life
2:29 What changes after success
3:02 The fear of stopping
3:46 What ambition costs
4:20 When a busy season becomes a life
4:52 The people beside you now
5:14 The danger of comfortable balance
5:27 What would it cost not to try?
5:46 What would be enough?
6:26 Tolstoy’s question
6:59 The limit of achievement
7:17 Giving ambition its proper place
7:38 Choosing your boundaries
8:00 Returning to Alexander
8:29 Why the river matters
8:36 A river of your own
9:03 Where you get to live
SOURCES
Arrian, Anabasis of Alexander, Book V, chapters 28–29, Plutarch, Life of Alexander, sections 7–8, Aristotle, Nicomachean Ethics, Book I, Leo Tolstoy, A Confession, chapters IV and IX.
ARTWORK
Historical map of Alexander’s campaigns, Library of Congress, Albrecht Altdorfer, The Battle of Alexander at Issus, Walter Gay, A Philosopher, Alphonse Legros, The Philosopher, Albrecht Dürer, Melencolia I and Knight, Death, and the Devil, Albert Pinkham Ryder, The Race Track (Death on a Pale Horse), John George Brown, A Builder of Boats, Ary Scheffer, Princess Marie d’Orléans in Her Studio, Jean-François Millet, The Sick Child and Return from the Fields, Nicolas Lagneau, Elderly Man Reading a Book, Eugène Cuvelier, Road in the Forest, Thomas Doughty, Landscape with Winding Road, Johann Adam Klein, The Artists on Their Journey, Rembrandt van Rijn, Portrait of a Woman and An Elderly Man in Prayer, Lucas van Leyden, Return of the Prodigal Son and The Triumph of Mordecai, Wang Fu, A Scholar’s Retreat amid Autumn Trees, Frederic Edwin Church, Twilight in the Wilderness and Niagara Falls by Moonlight, Pellegrino Tibaldi, Victorious Soldiers with Trophy, Henry William Bunbury, Country Scene with Soldiers, Eugène Jansson, Evening Mood—Lidingö, Karl Hofer, At the Window II, George Inness, Harvest Time, Honoré Daumier, What Time is it, Please?, Andrea Andreani, The Triumph of Julius Caesar: Caesar Triumphant, Sanford Robinson Gifford, A Home in the Wilderness, Paolo Veronese, Portrait of Agostino Barbarigo, Johann Anton Ramboux, The Brothers Eberhard, Ma Lin, Scholar Reclining and Watching Rising Clouds, Paul Gauguin, The Call, William Rickarby Miller, On the Harlem River, Giovanni Battista Tiepolo, The Philosopher Holding a Book, Dong Qichang, Mt. Qingbian, Théodore Rivière, Bust of Tolstoy, and additional works titled Returning Home, Tao Yuanming’s Return Home, Conversation in a Thatched Hut, and Head of Alexander the Great.
Artwork comes from public-domain sources and the Cleveland Museum of Art’s CC0 Open Access collection. The highlighted historical pages come from an 1884 edition of Arrian’s Anabasis of Alexander.
#Philosophy #Ambition #Aristotle