𝐹𝑟𝑎𝑛𝑐𝑘 𝑃𝑜𝑢𝑟𝑐𝑒𝑙 𝑦 𝑠𝑢 𝐺𝑟𝑎𝑛 𝑂𝑟𝑞𝑢𝑒𝑠𝑡𝑎- 𝑃𝑜𝑢𝑝𝑒́𝑒 𝑑𝑒 𝑐𝑖𝑟𝑒, 𝑝𝑜𝑢𝑝𝑒́𝑒 𝑑𝑒 𝑠𝑜𝑛- 𝐸𝑃- 𝐸𝑠𝑝𝑎𝑛̃𝑎-1965

𝐹𝑟𝑎𝑛𝑐𝑘 𝑃𝑜𝑢𝑟𝑐𝑒𝑙 𝑦 𝑠𝑢 𝐺𝑟𝑎𝑛 𝑂𝑟𝑞𝑢𝑒𝑠𝑡𝑎 𝐴-1 - 𝑃𝑜𝑢𝑝𝑒́𝑒 𝑑𝑒 𝑐𝑖𝑟𝑒, 𝑝𝑜𝑢𝑝𝑒́𝑒 𝑑𝑒 𝑠𝑜𝑛 𝐴𝑢𝑡𝑜𝑟: 𝑆𝑒𝑟𝑔𝑒 𝐺𝑎𝑖𝑛𝑠𝑏𝑜𝑢𝑟𝑔 𝐴-2 - 𝐿𝑒 𝐶𝑜𝑙𝑙𝑖𝑛𝑒 𝑠𝑜𝑛𝑜 𝑖𝑛 𝑓𝑖𝑜𝑟𝑒 𝐴𝑢𝑡𝑜𝑟𝑒𝑠: 𝑀𝑜𝑔𝑜𝑙 / 𝐴𝑛𝑔𝑖𝑜𝑙𝑖𝑛𝑖 𝐿𝑎 𝑉𝑜𝑧 𝑑𝑒 𝑠𝑢 𝐴𝑚𝑜 – 𝐸𝑀𝐼 7 𝐸𝑃𝐿 14.169 𝐸𝑠𝑝𝑎𝑛̃𝑎 1965 🎵 𝐶𝐴𝑅𝐴 𝐴-1 𝐿𝑎 𝑒𝑑𝑖𝑐𝑖𝑜́𝑛 𝑓𝑟𝑎𝑛𝑐𝑒𝑠𝑎 𝑒𝑞𝑢𝑖𝑣𝑎𝑙𝑒𝑛𝑡𝑒 𝑎𝑝𝑎𝑟𝑒𝑐𝑒 𝑐𝑎𝑡𝑎𝑙𝑜𝑔𝑎𝑑𝑎 𝑐𝑜𝑚𝑜 7 𝐸𝐺𝐹 802, 𝑡𝑎𝑚𝑏𝑖𝑒́𝑛 𝑑𝑒 1965, 𝑏𝑎𝑗𝑜 𝑒𝑙 𝑡𝑖́𝑡𝑢𝑙𝑜 𝐸𝑢𝑟𝑜𝑣𝑖𝑠𝑖𝑜𝑛 '65. 𝑈𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑐𝑎𝑛𝑐𝑖𝑜𝑛𝑒𝑠 𝑓𝑢𝑛𝑑𝑎𝑚𝑒𝑛𝑡𝑎𝑙𝑒𝑠 𝑑𝑒𝑙 𝑝𝑜𝑝 𝑒𝑢𝑟𝑜𝑝𝑒𝑜 𝑑𝑒 1965. 𝐹𝑢𝑒 𝑖𝑛𝑡𝑒𝑟𝑝𝑟𝑒𝑡𝑎𝑑𝑎 𝑝𝑜𝑟 𝐹𝑟𝑎𝑛𝑐𝑒 𝐺𝑎𝑙𝑙 𝑦 𝑜𝑏𝑡𝑢𝑣𝑜 𝑙𝑎 𝑣𝑖𝑐𝑡𝑜𝑟𝑖𝑎 𝑒𝑛 𝑒𝑙 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙 𝑑𝑒 𝐸𝑢𝑟𝑜𝑣𝑖𝑠𝑖𝑜́𝑛 𝑑𝑒 1965. 𝐿𝑎 𝑣𝑒𝑟𝑠𝑖𝑜́𝑛 𝑖𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡𝑎𝑙 𝑑𝑒 𝑃𝑜𝑢𝑟𝑐𝑒𝑙 𝑐𝑜𝑛𝑣𝑖𝑒𝑟𝑡𝑒 𝑙𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑒𝑛 𝑢𝑛𝑎 𝑝𝑖𝑒𝑧𝑎 𝑑𝑒 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎 𝑙𝑖𝑔𝑒𝑟𝑎, 𝑚𝑢𝑦 𝑐𝑎𝑟𝑎𝑐𝑡𝑒𝑟𝑖́𝑠𝑡𝑖𝑐𝑎 𝑑𝑒 𝑠𝑢 𝑒𝑠𝑡𝑖𝑙𝑜. 𝑃𝑜𝑢𝑝𝑒́𝑒 𝑑𝑒 𝑐𝑖𝑟𝑒, 𝑝𝑜𝑢𝑝𝑒́𝑒 𝑑𝑒 𝑠𝑜𝑛 𝑒𝑠 𝑝𝑟𝑜𝑏𝑎𝑏𝑙𝑒𝑚𝑒𝑛𝑡𝑒 𝑙𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑚𝑎́𝑠 𝑐𝑜𝑛𝑜𝑐𝑖𝑑𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑐𝑢𝑎𝑡𝑟𝑜 𝑞𝑢𝑒 𝑎𝑝𝑎𝑟𝑒𝑐𝑒𝑛 𝑒𝑛 𝑒𝑠𝑡𝑒 𝐸𝑃 𝑦 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑐𝑜𝑚𝑝𝑜𝑠𝑖𝑐𝑖𝑜𝑛𝑒𝑠 𝑚𝑎́𝑠 𝑖𝑚𝑝𝑜𝑟𝑡𝑎𝑛𝑡𝑒𝑠 𝑑𝑒 𝑆𝑒𝑟𝑔𝑒 𝐺𝑎𝑖𝑛𝑠𝑏𝑜𝑢𝑟𝑔 𝑑𝑢𝑟𝑎𝑛𝑡𝑒 𝑙𝑎 𝑑𝑒́𝑐𝑎𝑑𝑎 𝑑𝑒 𝑙𝑜𝑠 𝑠𝑒𝑠𝑒𝑛𝑡𝑎. 𝐿𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑓𝑢𝑒 𝑒𝑠𝑐𝑟𝑖𝑡𝑎 𝑝𝑎𝑟𝑎 𝑙𝑎 𝑗𝑜𝑣𝑒𝑛 𝑐𝑎𝑛𝑡𝑎𝑛𝑡𝑒 𝐹𝑟𝑎𝑛𝑐𝑒 𝐺𝑎𝑙𝑙, 𝑞𝑢𝑒 𝑙𝑎 𝑖𝑛𝑡𝑒𝑟𝑝𝑟𝑒𝑡𝑜́ 𝑒𝑛 𝑒𝑙 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙 𝑑𝑒 𝑙𝑎 𝐶𝑎𝑛𝑐𝑖𝑜́𝑛 𝑑𝑒 𝐸𝑢𝑟𝑜𝑣𝑖𝑠𝑖𝑜́𝑛 𝑑𝑒 1965, 𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑑𝑜 𝑒𝑛 𝑁𝑎́𝑝𝑜𝑙𝑒𝑠. 𝑆𝑢 𝑣𝑖𝑐𝑡𝑜𝑟𝑖𝑎 𝑠𝑢𝑝𝑢𝑠𝑜 𝑎𝑙𝑔𝑜 𝑚𝑎́𝑠 𝑞𝑢𝑒 𝑢𝑛 𝑡𝑟𝑖𝑢𝑛𝑓𝑜 𝑒𝑛 𝑒𝑙 𝑓𝑒𝑠𝑡𝑖𝑣𝑎𝑙: 𝑟𝑒𝑝𝑟𝑒𝑠𝑒𝑛𝑡𝑜́ 𝑙𝑎 𝑙𝑙𝑒𝑔𝑎𝑑𝑎 𝑑𝑒 𝑢𝑛𝑎 𝑛𝑢𝑒𝑣𝑎 𝑔𝑒𝑛𝑒𝑟𝑎𝑐𝑖𝑜́𝑛 𝑑𝑒 𝑐𝑎𝑛𝑐𝑖𝑜𝑛𝑒𝑠 𝑝𝑜𝑝, 𝑚𝑢𝑐ℎ𝑜 𝑚𝑎́𝑠 𝑚𝑜𝑑𝑒𝑟𝑛𝑎𝑠 𝑦 𝑎𝑙𝑒𝑗𝑎𝑑𝑎𝑠 𝑑𝑒 𝑙𝑎 𝑡𝑟𝑎𝑑𝑖𝑐𝑖𝑜𝑛𝑎𝑙 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑚𝑒𝑙𝑜́𝑑𝑖𝑐𝑎 𝑞𝑢𝑒 ℎ𝑎𝑏𝑖́𝑎 𝑑𝑜𝑚𝑖𝑛𝑎𝑑𝑜 𝑙𝑎𝑠 𝑝𝑟𝑖𝑚𝑒𝑟𝑎𝑠 𝑒𝑑𝑖𝑐𝑖𝑜𝑛𝑒𝑠 𝑑𝑒 𝐸𝑢𝑟𝑜𝑣𝑖𝑠𝑖𝑜́𝑛. 𝐺𝑎𝑖𝑛𝑠𝑏𝑜𝑢𝑟𝑔 𝑢𝑡𝑖𝑙𝑖𝑧𝑜́ 𝑙𝑎 𝑖𝑚𝑎𝑔𝑒𝑛 𝑑𝑒 𝑢𝑛𝑎 𝑚𝑢𝑛̃𝑒𝑐𝑎 𝑑𝑒 𝑐𝑒𝑟𝑎 𝑦 𝑑𝑒 𝑠𝑜𝑛𝑖𝑑𝑜 𝑝𝑎𝑟𝑎 𝑐𝑜𝑛𝑠𝑡𝑟𝑢𝑖𝑟 𝑢𝑛𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑙𝑙𝑒𝑛𝑎 𝑑𝑒 𝑟𝑒𝑓𝑒𝑟𝑒𝑛𝑐𝑖𝑎𝑠 𝑎𝑙 𝑚𝑢𝑛𝑑𝑜 𝑑𝑒 𝑙𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑦 𝑎 𝑙𝑎 𝑝𝑟𝑜𝑝𝑖𝑎 𝑐𝑜𝑛𝑑𝑖𝑐𝑖𝑜́𝑛 𝑑𝑒 𝑙𝑎 𝑗𝑜𝑣𝑒𝑛 𝑖𝑛𝑡𝑒́𝑟𝑝𝑟𝑒𝑡𝑒. 𝐿𝑎 𝑚𝑒𝑙𝑜𝑑𝑖́𝑎, 𝑝𝑒𝑔𝑎𝑑𝑖𝑧𝑎 𝑦 𝑑𝑖𝑛𝑎́𝑚𝑖𝑐𝑎, 𝑐𝑜𝑛𝑡𝑟𝑎𝑠𝑡𝑎𝑏𝑎 𝑐𝑜𝑛 𝑙𝑎𝑠 ℎ𝑎𝑏𝑖𝑡𝑢𝑎𝑙𝑒𝑠 𝑏𝑎𝑙𝑎𝑑𝑎𝑠 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎𝑙𝑒𝑠 𝑑𝑒 𝑎𝑞𝑢𝑒𝑙𝑙𝑜𝑠 𝑎𝑛̃𝑜𝑠. 𝐸𝑙 𝑒́𝑥𝑖𝑡𝑜 𝑓𝑢𝑒 𝑖𝑛𝑚𝑒𝑑𝑖𝑎𝑡𝑜 𝑦 𝑙𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑐𝑜𝑚𝑒𝑛𝑧𝑜́ 𝑎 𝑐𝑖𝑟𝑐𝑢𝑙𝑎𝑟 𝑝𝑜𝑟 𝑛𝑢𝑚𝑒𝑟𝑜𝑠𝑜𝑠 𝑝𝑎𝑖́𝑠𝑒𝑠 𝑒𝑢𝑟𝑜𝑝𝑒𝑜𝑠 𝑒𝑛 𝑑𝑖𝑓𝑒𝑟𝑒𝑛𝑡𝑒𝑠 𝑣𝑒𝑟𝑠𝑖𝑜𝑛𝑒𝑠 𝑒 𝑖𝑑𝑖𝑜𝑚𝑎𝑠. 𝐹𝑟𝑎𝑛𝑐𝑘 𝑃𝑜𝑢𝑟𝑐𝑒𝑙 𝑟𝑒𝑎𝑙𝑖𝑧𝑜́ 𝑠𝑢 𝑝𝑟𝑜𝑝𝑖𝑎 𝑎𝑑𝑎𝑝𝑡𝑎𝑐𝑖𝑜́𝑛 𝑖𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡𝑎𝑙, 𝑒𝑙𝑖𝑚𝑖𝑛𝑎𝑛𝑑𝑜 𝑙𝑎 𝑣𝑜𝑧, 𝑝𝑒𝑟𝑜 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎𝑛𝑑𝑜 𝑙𝑎 𝑒𝑥𝑡𝑟𝑎𝑜𝑟𝑑𝑖𝑛𝑎𝑟𝑖𝑎 𝑚𝑒𝑙𝑜𝑑𝑖́𝑎 𝑑𝑒 𝐺𝑎𝑖𝑛𝑠𝑏𝑜𝑢𝑟𝑔. 𝐸𝑛 𝑒𝑠𝑡𝑎 𝑣𝑒𝑟𝑠𝑖𝑜́𝑛 𝑝𝑜𝑑𝑒𝑚𝑜𝑠 𝑎𝑝𝑟𝑒𝑐𝑖𝑎𝑟 𝑝𝑟𝑒𝑐𝑖𝑠𝑎𝑚𝑒𝑛𝑡𝑒 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑓𝑎𝑐𝑒𝑡𝑎𝑠 𝑚𝑎́𝑠 𝑐𝑎𝑟𝑎𝑐𝑡𝑒𝑟𝑖́𝑠𝑡𝑖𝑐𝑎𝑠 𝑑𝑒 𝑃𝑜𝑢𝑟𝑐𝑒𝑙: 𝑐𝑜𝑛𝑣𝑒𝑟𝑡𝑖𝑟 𝑢𝑛𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑝𝑜𝑝𝑢𝑙𝑎𝑟 𝑐𝑜𝑛𝑡𝑒𝑚𝑝𝑜𝑟𝑎́𝑛𝑒𝑎 𝑒𝑛 𝑢𝑛𝑎 𝑝𝑖𝑒𝑧𝑎 𝑝𝑎𝑟𝑎 𝑔𝑟𝑎𝑛 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎, 𝑚𝑎𝑛𝑡𝑒𝑛𝑖𝑒𝑛𝑑𝑜 𝑟𝑒𝑐𝑜𝑛𝑜𝑐𝑖𝑏𝑙𝑒 𝑠𝑢 𝑚𝑒𝑙𝑜𝑑𝑖́𝑎 𝑦 𝑎𝑝𝑜𝑟𝑡𝑎́𝑛𝑑𝑜𝑙𝑒 𝑠𝑢 𝑝𝑎𝑟𝑡𝑖𝑐𝑢𝑙𝑎𝑟 𝑡𝑟𝑎𝑡𝑎𝑚𝑖𝑒𝑛𝑡𝑜 𝑑𝑒 𝑐𝑢𝑒𝑟𝑑𝑎𝑠. 𝐸𝑠𝑡𝑒 𝑡𝑒𝑚𝑎 𝑟𝑒𝑝𝑟𝑒𝑠𝑒𝑛𝑡𝑎 𝑝𝑒𝑟𝑓𝑒𝑐𝑡𝑎𝑚𝑒𝑛𝑡𝑒 𝑒𝑙 𝑚𝑜𝑚𝑒𝑛𝑡𝑜 𝑑𝑒 𝑡𝑟𝑎𝑛𝑠𝑖𝑐𝑖𝑜́𝑛 𝑞𝑢𝑒 𝑣𝑖𝑣𝑖́𝑎 𝑙𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑒𝑢𝑟𝑜𝑝𝑒𝑎 𝑒𝑛 1965: 𝑙𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑜𝑟𝑞𝑢𝑒𝑠𝑡𝑎𝑙 𝑡𝑟𝑎𝑑𝑖𝑐𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑚𝑒𝑛𝑧𝑎𝑏𝑎 𝑎 𝑐𝑜𝑛𝑣𝑖𝑣𝑖𝑟 𝑐𝑜𝑛 𝑒𝑙 𝑛𝑢𝑒𝑣𝑜 𝑝𝑜𝑝 𝑞𝑢𝑒 𝑒𝑠𝑡𝑎𝑏𝑎 𝑐𝑜𝑛𝑞𝑢𝑖𝑠𝑡𝑎𝑛𝑑𝑜 𝑎 𝑙𝑜𝑠 𝑗𝑜́𝑣𝑒𝑛𝑒𝑠. 👉-𝐶𝑜𝑚𝑜 𝑠𝑖𝑒𝑚𝑝𝑟𝑒 𝑒𝑛 𝐿𝑜𝑠 45 𝑑𝑒 𝐶𝑎𝑟𝑙𝑜𝑠, 𝑒𝑙 𝑎𝑢𝑑𝑖𝑜 𝑝𝑟𝑜𝑐𝑒𝑑𝑒 𝑑𝑒 𝑢𝑛 𝑑𝑖𝑠𝑐𝑜 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙 𝑑𝑒 𝑚𝑖 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜́𝑛 𝑝𝑎𝑟𝑡𝑖𝑐𝑢𝑙𝑎𝑟 𝑦 𝑠𝑒 𝑝𝑟𝑒𝑠𝑒𝑛𝑡𝑎 𝑠𝑖𝑛 𝑟𝑒𝑠𝑡𝑎𝑢𝑟𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑑𝑖𝑔𝑖𝑡𝑎𝑙𝑒𝑠, 𝑟𝑒𝑠𝑝𝑒𝑡𝑎𝑛𝑑𝑜 𝑒𝑙 𝑠𝑜𝑛𝑖𝑑𝑜 𝑎𝑢𝑡𝑒́𝑛𝑡𝑖𝑐𝑜 𝑑𝑒𝑙 𝑒𝑗𝑒𝑚𝑝𝑙𝑎𝑟. 👉 ¿𝐶𝑜𝑛𝑜𝑐𝑖́𝑎𝑠 𝑒𝑠𝑡𝑎 𝑒𝑑𝑖𝑐𝑖𝑜́𝑛 𝑒𝑠𝑝𝑎𝑛̃𝑜𝑙𝑎 𝑑𝑒 1965? 𝑆𝑖 𝑡𝑒 ℎ𝑎 𝑔𝑢𝑠𝑡𝑎𝑑𝑜 𝑒𝑙 𝑣𝑖́𝑑𝑒𝑜, 𝑝𝑢𝑒𝑑𝑒𝑠 𝑠𝑢𝑠𝑐𝑟𝑖𝑏𝑖𝑟𝑡𝑒 𝑎 𝐿𝑜𝑠 45 𝑑𝑒 𝐶𝑎𝑟𝑙𝑜𝑠, 𝑑𝑜𝑛𝑑𝑒 𝑠𝑒𝑔𝑢𝑖𝑚𝑜𝑠 𝑟𝑒𝑐𝑢𝑝𝑒𝑟𝑎𝑛𝑑𝑜 𝑦 𝑐𝑜𝑚𝑝𝑎𝑟𝑡𝑖𝑒𝑛𝑑𝑜 𝑠𝑖𝑛𝑔𝑙𝑒𝑠 𝑦 𝐸𝑃𝑠 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙𝑒𝑠 𝑡𝑎𝑙 𝑐𝑜𝑚𝑜 ℎ𝑎𝑛 𝑙𝑙𝑒𝑔𝑎𝑑𝑜 ℎ𝑎𝑠𝑡𝑎 𝑛𝑢𝑒𝑠𝑡𝑟𝑜𝑠 𝑑𝑖́𝑎𝑠. 📀 𝐸𝑙 𝑠𝑜𝑛𝑖𝑑𝑜 𝑐𝑜𝑟𝑟𝑒𝑠𝑝𝑜𝑛𝑑𝑒 𝑎𝑙 𝑒𝑠𝑡𝑎𝑑𝑜 𝑟𝑒𝑎𝑙 𝑑𝑒𝑙 𝑑𝑖𝑠𝑐𝑜 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎𝑑𝑜 𝑒𝑛 𝑚𝑖 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜́𝑛. 𝐷𝑒𝑏𝑖𝑑𝑜 𝑎 𝑠𝑢 𝑎𝑛𝑡𝑖𝑔𝑢̈𝑒𝑑𝑎𝑑, 𝑎𝑙𝑔𝑢𝑛𝑜𝑠 𝑒𝑗𝑒𝑚𝑝𝑙𝑎𝑟𝑒𝑠 𝑝𝑢𝑒𝑑𝑒𝑛 𝑝𝑟𝑒𝑠𝑒𝑛𝑡𝑎𝑟 𝑟𝑢𝑖𝑑𝑜𝑠 𝑑𝑒 𝑠𝑢𝑝𝑒𝑟𝑓𝑖𝑐𝑖𝑒, 𝑑𝑒𝑠𝑔𝑎𝑠𝑡𝑒 𝑜 𝑝𝑒𝑞𝑢𝑒𝑛̃𝑎𝑠 𝑖𝑚𝑝𝑒𝑟𝑓𝑒𝑐𝑐𝑖𝑜𝑛𝑒𝑠 𝑝𝑟𝑜𝑝𝑖𝑎𝑠 𝑑𝑒𝑙 𝑝𝑎𝑠𝑜 𝑑𝑒𝑙 𝑡𝑖𝑒𝑚𝑝𝑜. 𝐸𝑙 𝑜𝑏𝑗𝑒𝑡𝑖𝑣𝑜 𝑑𝑒 𝑒𝑠𝑡𝑒 𝑐𝑎𝑛𝑎𝑙 𝑒𝑠 𝑝𝑟𝑒𝑠𝑒𝑟𝑣𝑎𝑟 𝑦 𝑑𝑖𝑓𝑢𝑛𝑑𝑖𝑟 𝑑𝑜𝑐𝑢𝑚𝑒𝑛𝑡𝑜𝑠 𝑠𝑜𝑛𝑜𝑟𝑜𝑠 𝑑𝑒 𝑖𝑛𝑡𝑒𝑟𝑒́𝑠 ℎ𝑖𝑠𝑡𝑜́𝑟𝑖𝑐𝑜, 𝑚𝑜𝑠𝑡𝑟𝑎𝑛𝑑𝑜 𝑙𝑎𝑠 𝑔𝑟𝑎𝑏𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑒𝑛 𝑠𝑢 𝑓𝑜𝑟𝑚𝑎𝑡𝑜 𝑦 𝑠𝑜𝑛𝑖𝑑𝑜 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙𝑒𝑠. 𝐺𝑟𝑎𝑐𝑖𝑎𝑠 𝑝𝑜𝑟 𝑒𝑠𝑐𝑢𝑐ℎ𝑎𝑟 𝑦 𝑎𝑐𝑜𝑚𝑝𝑎𝑛̃𝑎𝑟𝑚𝑒 𝑒𝑛 𝑒𝑠𝑡𝑎 𝑙𝑎𝑏𝑜𝑟 𝑑𝑒 𝑐𝑜𝑛𝑠𝑒𝑟𝑣𝑎𝑐𝑖𝑜́𝑛 𝑦 𝑑𝑖𝑣𝑢𝑙𝑔𝑎𝑐𝑖𝑜́𝑛 𝑚𝑢𝑠𝑖𝑐𝑎𝑙. 𝐷𝐸𝐶𝐿𝐴𝑅𝐴𝐶𝐼𝑂́𝑁 𝐷𝐸 𝑈𝑆𝑂 𝐸𝑠𝑡𝑒 𝑐𝑎𝑛𝑎𝑙 𝑛𝑜 𝑡𝑖𝑒𝑛𝑒 𝑛𝑖𝑛𝑔𝑢́𝑛 𝑖𝑛𝑡𝑒𝑟𝑒́𝑠 𝑐𝑜𝑚𝑒𝑟𝑐𝑖𝑎𝑙 𝑛𝑖 𝑒𝑐𝑜𝑛𝑜́𝑚𝑖𝑐𝑜. 𝑇𝑜𝑑𝑜 𝑒𝑙 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 𝑠𝑒 𝑝𝑢𝑏𝑙𝑖𝑐𝑎 𝑐𝑜𝑛 𝑓𝑖𝑛𝑒𝑠 𝑒𝑥𝑐𝑙𝑢𝑠𝑖𝑣𝑎𝑚𝑒𝑛𝑡𝑒 𝑑𝑜𝑐𝑢𝑚𝑒𝑛𝑡𝑎𝑙𝑒𝑠, 𝑒𝑑𝑢𝑐𝑎𝑡𝑖𝑣𝑜𝑠, 𝑐𝑢𝑙𝑡𝑢𝑟𝑎𝑙𝑒𝑠 𝑦 𝑑𝑒 𝑖𝑛𝑣𝑒𝑠𝑡𝑖𝑔𝑎𝑐𝑖𝑜́𝑛 ℎ𝑖𝑠𝑡𝑜́𝑟𝑖𝑐𝑎. 𝐿𝑎𝑠 𝑔𝑟𝑎𝑏𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑝𝑟𝑜𝑐𝑒𝑑𝑒𝑛 𝑑𝑒 𝑑𝑖𝑠𝑐𝑜𝑠 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙𝑒𝑠 𝑑𝑒 45 𝑟𝑝𝑚 𝑝𝑒𝑟𝑡𝑒𝑛𝑒𝑐𝑖𝑒𝑛𝑡𝑒𝑠 𝑎 𝑚𝑖 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜́𝑛 𝑝𝑎𝑟𝑡𝑖𝑐𝑢𝑙𝑎𝑟. 𝑇𝑜𝑑𝑜𝑠 𝑙𝑜𝑠 𝑑𝑒𝑟𝑒𝑐ℎ𝑜𝑠 𝑑𝑒 𝑎𝑢𝑡𝑜𝑟, 𝑓𝑜𝑛𝑜𝑔𝑟𝑎́𝑓𝑖𝑐𝑜𝑠 𝑦 𝑚𝑎𝑟𝑐𝑎𝑠 𝑝𝑒𝑟𝑡𝑒𝑛𝑒𝑐𝑒𝑛 𝑎 𝑠𝑢𝑠 𝑟𝑒𝑠𝑝𝑒𝑐𝑡𝑖𝑣𝑜𝑠 𝑝𝑟𝑜𝑝𝑖𝑒𝑡𝑎𝑟𝑖𝑜𝑠. 𝐿𝑜𝑠 45 𝑑𝑒 𝐶𝑎𝑟𝑙𝑜𝑠 𝑇𝑎𝑚𝑏𝑖𝑒́𝑛 𝑝𝑢𝑒𝑑𝑒𝑠 𝑑𝑖𝑠𝑓𝑟𝑢𝑡𝑎𝑟 𝑑𝑒 𝑚𝑎́𝑠 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑒𝑛 𝑓𝑜𝑟𝑚𝑎𝑡𝑜 𝑑𝑒 78 𝑅𝑃𝑀 𝑑𝑒 𝑚𝑖 𝑜𝑡𝑟𝑜 𝑐𝑎𝑛𝑎𝑙 "𝐿𝑜𝑠 78 𝑑𝑒 𝐶𝑎𝑟𝑙𝑜𝑠".    / @spukmeyer