German Third Reich Postage Stamp Collection
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German Third Reich Postage Stamp Collection
58 просмотров · 8 дней назад
RareStuff Online
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58 просмотров · 8 дней назад
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WARNING: This video contains stamps, portraits, emblems, inscriptions and political symbols associated with Nazi Germany and the German-occupied territories of the Second World War. They are presented solely as historical artefacts for documentation, education and critical examination. Their inclusion does not signify support for, or endorsement of, the National Socialist regime, its ideology, organisations, policies or crimes. Please view the collection at your own discretion.
This collection traces the development of German postage stamps during the Third Reich, from the stamps already circulating when the National Socialists came to power in 1933 through to the final issues of 1945. It follows the transformation of the ordinary postage stamp into an increasingly controlled instrument of government communication, fundraising and propaganda. Portraits of political leaders, national emblems, military subjects, monumental architecture, sporting events, public works, welfare campaigns and occupied territories all record how the postal system was used to project the regime’s preferred image of Germany.
The collection was assembled over many years primarily from a historical rather than an investment perspective. The objective was not simply to acquire individual rarities or the finest possible examples, but to document how stamps reflected political, social and territorial change. Complete and near-complete sheets therefore sit alongside blocks, marginal pieces, overprints, postal stationery, used examples, plate flaws, printing varieties and groups of apparently duplicate stamps. In many cases these multiples reveal details about printing, sheet construction, field positions and postal production that cannot be appreciated from an isolated stamp.
At the centre of the collection is the relationship between postage stamps and state propaganda. Some issues openly display portraits, swastikas, military standards and political slogans. Others appear less overtly political, depicting landscapes, historic buildings, transport, sporting events, cultural anniversaries or charitable causes. Even these apparently conventional subjects were frequently selected to reinforce ideas of national unity, territorial expansion, technological achievement and loyalty to the regime.
The collection also extends beyond Germany itself, where the postal history of the period cannot be understood in isolation. Issues from annexed and occupied territories—including Austria, Bohemia and Moravia and the General Government in occupied Poland—demonstrate how stamps were used to proclaim political authority and administrative control. German inscriptions, official emblems, currency changes and overprints document the progressive extension of the regime’s power across Europe and the replacement or subordination of existing national postal systems.
Complete sheets are an important feature of the collection. Their numbered margins, accounting inscriptions, printing details, signatures and positional plate flaws preserve information normally lost when stamps are separated. Several sheets contain identifiable constant flaws in documented fields, transforming an otherwise common issue into a useful record of its production. Other sheets retain overprinted dates, marginal markings or complete arrangements that help explain how the stamps were printed, checked, distributed and sold.
This is not intended to be a definitive specialist collection of every Third Reich issue, watermark, shade or plate variety. It is the record of an evolving personal collection and of the historical curiosity that created it. Michel and Stanley Gibbons catalogue numbers, identified flaws and present-day valuations provide structure and context, but they are not the collection’s principal purpose.
Its real subject is the way postage stamps can preserve both the ordinary administration of a country and the ideology of the government that produced them. These artefacts should neither be glorified nor erased. Examined critically and placed in their proper historical setting, they provide tangible evidence of how imagery, communication and propaganda became embedded in everyday life under a dictatorship.
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