Raag Maalav | Tutorial | Tintal | Notation | Moumita Mitra

Raag Maalav, a traditional, less heard Raag. Tutorial, followed by a Tintal bandish with notation. Found its mention in Rajan Parrikar's website. While i was trying to read about Jogkauns Nandkauns, came across this kind of Kauns. As per rendition by Pandit C.R Vyas, tried to conceive a structure. Actually it's Jog in Poorvang and Malkauns in Uttarang, with an additional shuddha dha used like PDn DDPMGM, it may be called the Khammaj Ang. However, I have used shuddha dha in other ways also like Khammaj. *A very important note about the Raag as mentioned by Pandit Suhas Vyas ji is that he has learned that a Nyaas on Nishaad is a characteristic trait of the the Raag which he has learned from his father Pandit C.R Vyas. Aroh : S G M P , G M d n S' Avroh : S' d n P G M g S Additionally P D n DP GM G M P G M g S like Jog M d n S' like Malkauns PDn DPM - G M P D n D P M - G M D P M - G M n D P like Khammaj Vadi Samvadi M S S G M and d occasionally as Nyaas Time Late Evening 9pm -12 am Lyric from Kramik Pustak Malika Bhairavi chapter, a Chautaal vilambit, 1st 4 lines have been used and recomposed by myself in Raag and Taal. Jo Tu Racho Saamaan Dayaaso Naanaa Prakaar Tohe Naa Bisaaro Sadaa Har Har Gun Gaaye Gaayee #malav #traditionalraga #unheardraga #crvyas #panditcrvyas #malavmoumitamitra #malavtutorial #malavtutorialmoumitamitra #ragatutorialseriesmoumitamitra #traditionalragamoumitamitra