Mendelssohn, Piano Concerto No.1, Op.25 (Stephen Hough, Lawrence Foster, City of Birmingham Sym...)
ScoreMan
0:00 / 0:00
Mendelssohn, Piano Concerto No.1, Op.25 (Stephen Hough, Lawrence Foster, City of Birmingham Sym...)
697 просмотров · 13 дней назад
ScoreMan
3,62 тыс. подписчиков
697 просмотров · 13 дней назад
F.Mendelssohn's Piano Concerto No.1 in G minor, Op.25, with with a theme-and-structure analysis and synchronized sheet music (score)
Performance: Stephen Hough (piano), Lawrence Foster (conductor), City of Birmingham Symphony Orchestra, 1997/01, Dudley Town Hall, Dudley, West Midlands, England
Analysis, Score Editing, Synch: ScoreMan
00:00 Movement 1: Molto allegro con fuoco
07:15 Movement 2: Andante
12:53 Movement 3: Presto — Molto allegro e vivace
OVERVIEW
Mendelssohn’s Piano Concerto No. 1 in G minor, Op. 25 is one of his most brilliant and energetic works for piano and orchestra.
Written when he was only in his early twenties, it combines dazzling virtuosity with Mendelssohn’s characteristic elegance, clarity, and lyrical warmth.
HISTORICAL CONTEXT
Mendelssohn composed the concerto in 1830–31, during his travels through Europe, and gave the premiere himself in Munich on October 17, 1831.
Already renowned as both a composer and virtuoso pianist, he designed the work partly as a vehicle for his own playing.
It quickly became one of his most successful concert works.
MUSICAL CHARACTER
The concerto’s three movements are played without substantial breaks, giving the work an unusually continuous dramatic flow.
The first movement begins almost immediately with an impetuous piano entrance rather than a lengthy orchestral introduction.
A brief transition leads directly into the lyrical second movement, where the piano sings a serene melody.
A trumpet fanfare then recalls the opening drama before launching the exuberant finale, filled with sparkling passagework and rhythmic vitality.
MUSICAL SIGNIFICANCE
Mendelssohn departed from several conventions of the Classical concerto.
The abbreviated orchestral introduction, immediate entrance of the soloist, and connections between movements create a more compact and unified structure.
Virtuosity is prominent throughout, but it is closely integrated with the work’s melodic and dramatic development rather than existing merely for display.
• J.S.Bach Masterpieces
• Handel Masterpieces
• D.Scarlatti: Keyboard Sonatas
• Haydn Masterpieces
• Mozart Masterpieces
• Beethoven Masterpieces
• Weber: 4 Piano Sonatas
• Schubert Masterpieces
• Mendenssohn Masterpieces
• Chopin Masterpieces
• Schumann Masterpieces
• Liszt Masterpieces
• Brahms Masterpieces
• Saint-Saëns Masterpieces
• Bizet Masterpieces
• Tchaikovsky Masterpieces
• Sarasate Masterpieces
• Albéniz Masterpieces
• Debussy Masterpieces
• Scriabin Masterpieces
• Rachmaninoff Masterpieces
• Ravel Masterpieces
• Prokofiev Masterpieces
• Shostakovich Masterpieces
• Piano Sonata Collection
• Violin Sonata Collection
• Piano Concerto Collection
• Violin Concerto Collection
• Symphonic Poems Collection
• Lieder & Art Songs
• Suite Collection
• Iberian Echoes
• Gypsy Fire
• Waltz Collection
• Music for Children / Childhood