They Took Speilberg's Phone on Tarantino's ONCE UPON A TIME IN HOLLYWOOD Set
Hollywood Gold Podcast
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They Took Speilberg's Phone on Tarantino's ONCE UPON A TIME IN HOLLYWOOD Set
57 просмотров · 2 нед. назад
Hollywood Gold Podcast
121 подписчик
57 просмотров · 2 нед. назад
Producers David Heyman and Shannon McIntosh join Daniela Taplin Lundberg on Hollywood Gold to reveal how Once Upon a Time in Hollywood got made: studios competing to win Tarantino, no phones and no video village on set, hiding in a closet to shut down Hollywood Boulevard, and a real working blowtorch in Leo's hands.
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0:00 Cold open
2:31 Intro: Daniela & Vanessa on Once Upon a Time in Hollywood
4:30 Meet David Heyman and Shannon McIntosh
5:55 Reading the script at Quentin's house
7:31 How David got the call
9:17 "Get out": reading the Manson sequence
11:09 "Let's stop dating"
14:00 1969 radio in the production office
15:22 The studios compete for the film
16:38 Why Sony won
18:08 Cocktails, cars, and mock posters
20:34 Friday dailies for the whole crew
22:00 Weekend movie nights
23:04 Casting Leo, Brad, and Margot
25:29 Does he write with actors in mind?
26:31 Leo's improvised trailer meltdown
28:54 How Quentin writes
31:31 Watching him write the novel
33:20 Making a $90M film work
34:28 Eight blocks of Hollywood Boulevard down to four
36:38 110 days, shooting on film
37:53 Hiding in a closet at the city council
39:06 Shutting down the 101
39:48 Barbara Ling and the look of 1969
41:00 Few takes, and "because we love making movies"
42:00 A party every hundred rolls of film
43:25 The crew who've been with him since Reservoir Dogs
44:10 Putting crew members in the movie
46:08 Casting Mike Moh as Bruce Lee
50:20 How Quentin directs actors
52:25 Casting the Manson kids
54:49 No French hours
55:50 His handwritten shot lists
57:06 No video village, no phones
58:48 Taking Spielberg's phone
59:32 Building the Spahn Ranch
1:01:38 Handling the Sharon Tate story
1:03:37 Working with Debra Tate
1:05:57 Shooting the finale
1:07:15 The real blowtorch
1:09:34 Why he shoots in camera
1:11:03 Working with three Brandys
1:14:30 Inside the edit
1:17:02 Why he watches his films with audiences
1:18:55 Racing prints to Cannes
1:22:10 Daniela & Vanessa's takeaways
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