FRED FRITH - Technology of Tears (1988) FULL ALBUM - Fusion, Avantgarde, Experimental

| 00:00:00 | Sadness, Its Bones Bleached Behind Us | 00:13:18 | You Are What You Eat | 00:32:04 | The Palace of Laughter, the Technology of Tears | 00:42:26 | Jigsaw | 00:57:13 | Jigsaw Coda NOTES: "The Technology Of Tears" recorded June 1986 at BC Studio and November 1986 to January 1987 at Noise NY. Synclavier recorded in California, June '86. Commissioned by Rosalind Newman and first performed by her dance company at the Joyce Theatre, NYC in February 1987. "Jigsaw" recorded October 1986 at Noise. Commissioned by Concert Dance Company of Boston as a collaboration between Fred Frith, Rosalind Newman and Pier Voulkos. CREDITS: Engineer – Paul Zinman Engineer [Assistant] – Louie Fleck (tracks: 1 to 3), Sue Fisher (tracks: 1 to 3) Engineer [Bc] – Martin Bisi (tracks: 1 to 3) Engineer [Noise] – Kramer (2) (tracks: 1 to 3) Programmed By [Synclavier Guidance] – Henry Kaiser (tracks: 1 to 3) Saxophone [Alto] – John Zorn (tracks: 1 to 3) Turntables – Christian Marclay (tracks: 1 to 3) Voice – Tenko (tracks: 1 to 3) Voice, Instruments [All] – Fred Frith FRED FRITH Jeremy Webster Frith Born: 17th February 1949, Heathfield, England. British composer, improviser and multi-instrumentalist, who has situated himself for more than fifty years in the area where rock music and new music meet. Played in R & B groups at school and did solo folk club work from 1967-1969. Began exploratory musical activities with Tim Hodgkinson early in 1968 which led to the start Henry Cow. Between times since then he has been involved with flautist Clive Bell in the Ritual Theatre, played guitar in Brecht-Weill productions, taught guitar and ran a jazz workshop at Cambridge tech. Co-founder of the British underground band "Henry Cow" (1968-78), Frith moved to New York in the late seventies and came into contact with many of the musicians with whom he’s since been associated, for example; John Zorn; Ikue Mori; Tom Cora; Zeena Parkins and Bob Ostertag. Fourteen years in New York gave rise to groups like "Massacre" (with Bill Laswell and Fred Maher), "Skeleton Crew" (with Tom and Zeena), and "Keep the Dog", a sextet performing an extensive repertoire of Frith compositions. In the eighties Frith began writing for dance, film, and theatre. This, in turn, led to his composing for "Rova Sax Quartet", "Ensemble Modern", "Asko Ensemble" and a number of other groups, including his own critically acclaimed "Guitar Quartet". Best known world-wide as an improvisational guitarist, Frith has also performed in a variety of other contexts, playing bass in John Zorn’s "Naked City", violin in Lars Hollmer’s "Looping Home Orchestra" and guitar on recordings ranging from "The Residents" and René Lussier, to Brian Eno and Amy Denio. Frith was also the subject of Nicolas Humbert and Werner Penzels’ award-winning documentary film "Step Across The Border". He became Professor of Composition at Mills College in Oakland, California, near his home with photographer Heike Liss and their children, Finn and Lucia.